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From the streets of Glasgow, Loki and Scatabrainz have teamed up to present to you "Summer Knows... A Darker Shade of Grey”. A very deep and somewhat autobiographical album, where DJ and MC are side by side, equal creators, just as it was meant to be in Hip-Hop. In the album Loki paints pictures of struggle, disgrace and upsurge, aggression and melancholy - emotions perfectly synchronized with sound by Scatabrainz.

Just as the album’s title suggests, this is not a party album, nor a feel-good mainstream production that sells a better life on the other side of the glass. Oh contraire! The perspective of the album is from inside the sphere of working class struggle and broken dreams. There are two main characters in this peace of work-Loki himself and the city of Glasgow, and the connection between them both is evident through-out. At times it sounds like a love/hate relationship but I think it’s more of a tough love story. The album represents a well tested concept - an artist telling his own story and struggles in his debut. A concept, very hard to pull off-something that Loki has managed to do, for no other reason than the honesty and intimacy of the lyrics and the tales told. However, some tracks feel out of place on the grey scenery of Loki's canvas. The sound and vibe of "Militant Disco" and "Tinitus" simply don't fit within the general idea of the album. That aside, this is a very strong debut. The album represents and ocean of emotions and feelings in which one is deluged right from the start. A grey, though realistic, 16 track depiction of a world, very real to some.

The sound of the album starts of with "A Man of Simple Tastes" -a lively, summery tune with great funk samples. After that the mood follows a slow transition to deeper and harder lyrics, laid over soft instrumentals such as "Unconditional" or dropped on even darker sounds that facilitate the listeners affiliation with the authors pain and anger for the wrongs of today and tomorrow. After the aggression of "Summer Knows" and "Dear Green Waste"(a dissolute sons ode to Glasgow),the hard vibe gives way to a melancholic sound. A great deal of praise must go to the work done on "Moonlight Flitting" - an autobiographical tale about Loki's childhood and teen years and the hardships experienced. In a sense its a story of his own life compared to the transformation of Glasgow. The track to follow, „Social Capital", only elevates the mood and tells yet another story from the grey side. In those two tracks Loki and Scatabrainz have managed to achieve harmony and resonance between the mood of the beat and the mood of the lyrics and are, without any doubt, the strongest pieces from the album.

And just when you begin to feel depressed Loki hits you with "Scatty" and "Militant Disco" which sound lively and definitely more aggressive. Now, whether you like this interruption or not is up to you. If you ask me, they should have been left off, for the sake of sound integrity. And then, somewhere along the middle, Scatabrainz takes charge with "Blue Skies"-a very ear-pleasing fusion of hip-hop, blues and dnb. By track 11("Winter Voices"),one should be familiar with the sound to come, which just gets darker trough stories of abuse, regret, fairy tails of an intoxicated mind transcending into cries of a sober aftermath. A rich palette of honest confessions for things that each one of us once chose to forget. My art teacher used to say that grey is the colour most rich in shades-a fact proven by the wrap up of "Summer knows" by another disruption of the motion that goes from an aggressive expression of discord("Tinitus") to a melancholic ode to the downs of life in "Snowflake" - the apex of Scatabrainz’s great work and a noteworthy appearance by Butterscotch. At the end, "The Sun Turns Grey" serves as a sentencing signature to a portrait of the world's ills through the eyes of a sinner.

Listening to the album more than once only enforced my positive impression of “Summer Knows”. Even if it isn’t fit for the masses, it definitely grew on me and will be in my playlist for a while. What I like most is that the album contributes to the survival of one of the most important traditions of hip-hop - that the rapper and DJ be side by side and equally important. It does this in a great way. And if praise must be given to Loki for his honest, hard hitting lyrics, the same goes to Scatabrainz for his great instrumentals that manage to catch the artist’s mood. When Loki is to have a second album, I would like to see him work with Scatabrainz again. This time around, after telling his story, maybe we can hear his solutions. Peace.

By Radoslav Penchev
(c) Outspoken Poet

Published in The Times Magazine.

A Picture That Changed the Face of AIDS

A Picture That Changed the Face of AIDS

In November, 1990, LIFE magazine published a photograph of a young man, David Kirby -- his body wasted by AIDS, his gaze locked on something beyond this world -- surrounded by anguished family members as he took his last breaths. The haunting image of Kirby's passing (above), taken by a journalism grad student named Therese Frare, became the one photograph most identified with the HIV/AIDS epidemic that, by then, had seen as many as 12 million people infected. Now, 20 years after her photograph helped transform public perception of the disease, LIFE spoke with Frare about that picture; the international controversy it sparked when United Colors of Benetton used it in a 1992 ad; and the never-before-published photographs she took before and after David Kirby's death -- photos that reveal the untold story behind one of the 20th century's most heart-breaking, indelible images.

  Final Moments

Holywood 9-11

I would like to share with you this great article,I recently read about certain random resemblances to 9-11 found in the media and Holywood productions,before 9-11.I do not stand behind this as some weird prophecy,I just recomend it as interesting reading material.


Timeless


An exert from John Potash's book 'The FBI War on Tupac Shakur and Black Leaders"Note:The book follows mainly 2pac but also the black panters as his mother and surrogate father were high-ranking members.Evidence has now proven the intervention of the FBI in their pursuit and incarciration.

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Fame and Politics

By the end of the Reagan/Bush era, Shakur's auspicious musical debut, including lyrics discussing his Black Panther family, coupled with leading movie roles, threatened to bring the Panthers back into vogue.

Thus it is no coincidence that Shakur attracted police attention in direct proportion to his fame and success. In line with Shakur's quote, "I never had a record until I made a record," shortly after his successful solo debut, Oakland police ticketed him for jaywalking, then arrested and beat him in custody.Shakur's first record, 2Pacalypse Now, railed against the FBI, the CIA, and President Bush. In 1992, a year after that album's release, Vice President Dan Quayle, and later Senator Bob Dole, singled him out as responsible for police deaths.

With the FBI watching Shakur since he was a teen, and his leadership in the New Afrikan Panthers, a group dedicated to replicating the Black Panthers,police involvement in his life deserves more scrutiny.

While Shakur's lyrics often dramatized inner-city life, including what some might view as negative images, glorifying gang life and denigrating women, they also included many positive political messages: ideas about Malcolm X and various Black Panthers.As a youth, Shakur performed benefits for Black Panther prisoners. By nineteen, he sang with the Grammy-nominated band Digital Underground. Besides his stint as a Panther Chairman and his Underground Railroad/Thug Life Movement, Shakur participated in a Stop the Violence program, helped with a home for at-risk youth, sponsored a "Celebrity Youth League," joined Central American solidarity benefits, and regularly spoke at rallies for voter registration and progressive activist groups.

The nature of the beneficiaries of Shakur's ever-increasing success must have set off alarms in the intelligence world. Some of Shakur's enormous wealth (the estimated worth of his 200 unreleased recordings alone was over $100 million) was donated to programs and causes his Panther family supported, including Afeni Shakur's research efforts, with her imprisoned partner Mutulu, which eventually contributed to the release of Pratt in 1997.

Shakur was also achieving a new-found maturity in his mid-twenties. His engagement to Kidada Jones, daughter of music mogul and Vibe magazine owner, jazz composer Quincy Jones must have worried police and intelligence officials, because of the vast wealth and influence of the elder Jones, and concern that Shakur's activist projects, such as his "Thug Life Movement" to turn drug dealers into lawful singers,and his last interview statements of going back to his family's ways, would mark a return to his earlier radical activism.

The Setup

The finding of continued COINTELPRO-type activities adds weight to evidence that Shakur's associate Jacques Agnant (a/k/a Ricardo Brown, a/k/a Nigel) was an undercover agent who infiltrated his life and contributed to his legal problems. In 1993, after befriending Shakur, Agnant introduced Shakur to Ayanna Jackson the night she had consensual sex with the singer, first on a dance floor and then in his hotel room.In a second visit to Shakur's hotel room several days later, set up again by Agnant, Jackson charged Shakur, Agnant, and two others with sexual assault.

Events around the trial point to Agnant's government connections. Agnant's trial lawyer, Paul Brenner, had represented the Policemen's Benevolent Association for many years.In addition, Agnant's case was severed from that of the other defendants without protest from the prosecutors. And, after Shakur's trial, Agnant's felony indictment was dismissed, and he simply pleaded guilty to two misdemeanors.

Shakur was convicted of three of the nine charges, relating only to non-consensual touching of Jackson's buttocks (typically reported only as "sexual abuse"), and sentenced to one-and-a-half to four-and-a-half years, an extremely harsh sentence.(In 1994, New York City police admitted "accidentally erasing" a tape Shakur and companions had of Jackson that supported Shakur's defense. His lawyer, Michael Warren, successfully argued that the police also planted guns in the hotel suite where the supposed assault occurred.

Jacques Agnant was also connected to Shakur's near-fatal mugging in late November 1994. Toward the end of Shakur's sexual assault trial, Agnant was seen several times secretly following Shakur. Several days later, "Booker," a man Agnant had introduced to Shakur, paged the singer and asked him come to a studio in Times Square to record with a new rapper. Booker called Shakur insistently that night, lied to him about who would be there, and offered $7,000 cash from his pocket to get Shakur to the building. When Shakur arrived with three companions, two men held him at gunpoint in the lobby and stripped him of his gold jewelry, although they left his diamond-encrusted Rolex, which Agnant had bought for him. Then they shot him in the groin and twice in the head, while he was face-down on the floor.

Los Angeles

Some suspicious aspects of the event were noted by editors of the Amsterdam News.Shakur and a companion both said they saw a police car outside the lobby doors on Broadway, immediately after the assailants fled, guns in hand. The New York Police reported this as a random mugging, yet the assailants picked an extremely well-lit Times Square area for a robbery.

In what the Washington Post described as "one of the many strange twists in the case,"three of the same cops who first appeared a year earlier at Tupac's hotel in the sexual assault arrest were the first to arrive at this near-fatal "mugging."And at least one has been identified as a member of New York's now infamous Street Crime Unit.

A History of Provocations

There are many examples of police and intelligence provocations against Panthers, including infiltrators, fake letters, fabricated rivalries, etc.

After Shakur's imprisonment for the sexual abuse conviction, jailmate "informants" and anonymous letters he received led the singer to believe that his fellow rapper friend Biggie Smalls (a/k/a Christopher Wallace) had set up the shooting, even though Smalls lacked a motive for doing so.

Biggie Smalls was killed in Los Angeles in 1997, seven months after Shakur's murder. The L.A. Times reported that New York police officers were near the murder scene when it occurred, supposedly taking part in a federal investigation into Smalls's record label.His death helped "substantiate" the East/West rap war that the authorities were trying to foster, and directed suspicions toward Brooklyn-based Smalls for California-based Shakur's death.

Political writer Christian Parenti suggests that the East/West rap music feud, as well as Shakur's sexual assault charge, may have been a latter-day COINTELPRO against rap artists.

A Desperate Agreement

After rejecting two previous offers from Death Row Records owner/producer Marion "Suge" Knight, an imprisoned Tupac Shakur was finally forced to sign a contract that included his bail money. But people close to Shakur knew he wanted to leave Death Row and start his own label. Ten days before his murder, Shakur fired Death Row lawyer Dave Kenner, who had been assigned to him by Knight. Friends of Shakur reported that this move was very dangerous because of Kenner's power in Death Row Records and Knight's violent business practices.

LAPD intelligence operations suggest Knight's connection to a government program.Los Angeles was the site of the largest western FBI/police intelligence collaboration against Black activists in the 1960s and 1970s, as described above in the targeting of Geronimo Pratt. L.A. was also the site of the CIA-Contra connection to crack cocaine in the 1980s, and there is evidence that Knight was involved in drug dealing at that time.Crack cocaine infiltrated into South Central L.A., created millionaires, some of whom worked with the authorities, particularly the notorious government collaborator "Freeway" Ricky Ross.

One of L.A.'s two top cocaine dealers who came on the scene at the same time as Ross and reportedly "ended up buying from him... and... learning from him," was Michael Harris.Harris, who ended up in jail, was represented by David Kenner, who convinced him to put up the first million dollars to start Death Row Records. Kenner made himself president of Death Row Records and later completely cut Harris out of the company. Harris is currently suing Kenner.

Suge's Role

It was Suge Knight who was driving the car in Las Vegas the night of Tupac's murder. Kidada Jones, Tupac's fiancée, reported that Tupac wanted to drive his own car that night, but Knight convinced the rapper to ride with him in an open-windowed BMW. According to an ex-bodyguard of Knight's, the murder scene was "aberrant" because there were no armed bodyguards in Knight's car nor in the accompanying car behind them. Although Knight had lived in Las Vegas for several years, and knew the area well, he made a curious U-turn away from a nearby hospital as Shakur lay dying next to him. Weeks later, Knight stated that he wouldn't give anyone information about the killers because "it's not my job." Knight was arrested and jailed for violating his probation a few days after Shakur's death. He has continued to run Death Row Records from his jail cell. (In early April, Knight was named as a suspect in Biggie Smalls's murder, which the authorities claim he masterminded from jail.)

After Tupac's death, Afeni Shakur was told that her son owed Death Row money, even though his albums for the company had grossed over $150 million in sales (70 percent of rap albums are bought by white youth) . While Afeni won the legal right to obtain all of her son's unreleased recordings, she only received a portion of them from Death Row. And their more than $100 million estimated dollar value would soon decrease. With very little financial motive for the only suspect, Death Row, government pressure probably led Knight to let 13 illegal bootleg discs hit the streets and massively devalue Afeni Shakur's inherited estate.

Tupac's Legacy
In his last interviews, Shakur espoused radical political ideas and plans. He spoke of religion as social control, of returning to his family's ways but "with a more militant philosophy," of plans to start an interracial "lost-tribe" political party, and to devote future album proceeds to start community centers. He also explained that his trademark "W" hand sign, which had indicated the West Coast, would now mean "War." He said, "West Coast and East Coast together [to gain] power" for "Black America."

Shakur's incredible fan devotion and societal influence were likely thorns in the side of the intelligence community. After his death, Shakur received tributes by leading intellectuals and was memorialized in mass assemblies at Black colleges. His legacy sparked courses devoted to his work at prestigious universities, including the University of California at Berkeley.

While unsubstantiated versions of the story behind Tupac Shakur's death are frequently asserted, there has been no real independent investigation of government involvement. Shakur's political-activist life and radical heritage call for such an inquiry.

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