Outspoken Poet's Blog

The Hidden Meaning of Lady Gaga’s “Telephone”
Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control. We’ll look at the occult meaning of the video “Telephone”.

The Hidden Meaning of the Song

When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:

“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”
- Source

What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.
In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.

Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:



Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her dissociative mind state.



The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control
So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.

“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.
K-kinda busy
K-kinda busy
Sorry, I cannot hear you, I’m kinda busy.”

By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.

“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”

Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.


Video Analysis
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The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video:

The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.

Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a slave only obeying orders … and that she is needed again.
Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyoncé engage into a highly dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.
The dynamic duo then enters an all-American, good ol’-fashioned diner. Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.

The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?


Lady Gaga turns the a-ok hand in front of her eye (representing the Illuminati’s “All-Seeing Eye”) into a gun pointed towards the viewer … the masses eating all of the poison served to them.


The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the general public through mass media. You can figure out the rest.


While the customers are agonizing and dying, Beyoncé puts on the Mickey Mouse sunglasses, the same glasses worn by Gaga in Paparazzi while killing her boyfriend.


Beyoncé wearing Mickey Mouse sunglasses


Gaga with Mickey Mouse sunglasses in Paparazzi


In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.

Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing. In her interview with E! Online about Telephone, Gaga stated she wanted to take

“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.”
- Source

Is that what she meant?
To sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.

“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”

Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagon wearing a leopard-print suit.In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders



Illuminati Signs
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As stated in previous articles, the hiding of one eye and the “a-ok” sign (which seemingly means 666 in the music industry) are flashed by all Illuminati artists, apparently to show their allegiance. There are a truckload of them in this video.

One Eye Hidden

Gaga dressed in police tape, covering one eye. Knowing the trauma mind control victims must go through, her body is truly a crime scene.






A-Ok Handsign












In Conclusion

Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them, and that is accomplished through controlled puppets.

Open up your eyes,realise those lies!

(C) Outspoken Poet

(c) Outspoken Poet's Blog

(c) Outspoken Poet's Blog

(c) Outspoken Poet's Blog

I thought for a while what I wanted my 100th post to be and in the end I wanted it to be something that represents me and what I stand for so I wrote this.

So many times I'm, covering my eyes
Peeking through my fingers
Tryin' to hide my, frustration at the way that we treat
Turn on the TV, seein' the pain
Sayin' such a shame
Then tryin' to go on with my life
Of that, I too, am guilty
So we send a lil' money, tell 'em it's alright
To be able to sleep at night
You will pay that price
While some of these folks' lost their whole life
Now it wasn't on the nightly news no more
Suddenly it didn't matter to you no more
In the end almost nothing changed
What the hell, what was that for?
So don't ever tell me "life is fair".
Seems like we don't even care.

(c) Outspoken Poet's Blog

Every breathe I breathe is cold as ice,
everything I touch is burning.
Ever since I lost imagination.

Like a stream that flows into the sea
I am lost for all Eternity.
Ever since you took your smile away from me

Every beat strikes cords of you and me.
Every move has all but meaning.
Ever since I crushed serenity.

Sometimes
the sound of goodbye
is louder
than any drumbeat!

(c) Outspoken Poet

I would like to draw your attention to a very interesting and objective documentary series looking at the history of public relations and advertising. More over how psychoanalysis and advertisement have influenced our lives and minds in so many ways-a fact disregarded by many. At times fascinating,at times scary it is an eye opener though many facts are skiped,in parts due to lack of space I guess.


Part 1 - Happyness Machines
http://video.google.com/videoplay?docid=6718420906413643126&ei=Y2-RS9eMJqbe2wLG_rTIAg#


Part 2 - The Engineering Of Consent
http://video.google.com/videoplay?docid=6718420906413643126&ei=Y2-RS9eMJqbe2wLG_rTIAg#docid=-678466363224520614


Part 3 - There is a policeman in all our heads and he must be destroyed
http://video.google.com/videoplay?docid=6718420906413643126&ei=Y2-RS9eMJqbe2wLG_rTIAg#docid=-6111922724894802811

Part 4 - Eight People Sipping Wine
http://video.google.com/videoplay?docid=6718420906413643126&ei=Y2-RS9eMJqbe2wLG_rTIAg#docid=4598761379015418014


Open up your eyes,realise those lies!

Editorial on news article from wired.com

The Pentagon’s mad science arm may have come up with its most radical project yet. Darpa is looking to re-write the laws of evolution to the military’s advantage, creating “synthetic organisms” that can live forever — or can be killed with the flick of a molecular switch.

As part of its budget for the next year, Darpa is investing $6 million into a project called BioDesign, with the goal of eliminating “the randomness of natural evolutionary advancement.” The plan would assemble the latest bio-tech knowledge to come up with living, breathing creatures that are genetically engineered to “produce the intended biological effect.” Darpa wants the organisms to be fortified with molecules that bolster cell resistance to death, so that the lab-monsters can “ultimately be programmed to live indefinitely.”

Of course, Darpa’s got to prevent the super-species from being swayed to do enemy work — so they’ll encode loyalty right into DNA, by developing genetically programmed locks to create “tamper proof” cells. Plus, the synthetic organism will be traceable, using some kind of DNA manipulation, “similar to a serial number on a handgun.” And if that doesn’t work, don’t worry. In case Darpa’s plan somehow goes horribly awry, they’re also tossing in a last-resort, genetically-coded kill switch:

Develop strategies to create a synthetic organism “self-destruct” option to be implemented upon nefarious removal of organism.

The project comes as Darpa also plans to throw $20 million into a new synthetic biology program, and $7.5 million into “increasing by several decades the speed with which we sequence, analyze and functionally edit cellular genomes.”

Of course, Darpa’s up against some vexing, fundamental laws of nature — not to mention bioethics — as they embark on the lab beast program. First, they might want to rethink the idea of evolution as a random series of events, says NYU biology professor David Fitch. “Evolution by selection is nota random process at all, and is actually a hugely efficient design algorithm used extensively in computation and engineering,” he e-mails Danger Room.

Even if Darpa manages to overcome the inherent intelligence of evolutionary processes, overcoming inevitable death can be tricky. Just ask all the other research teams who’ve made stabs at it, trying everything from cell starvation to hormone treatments. Gene therapy, where artificial genes are inserted into an organism to boost cell life, are the latest and greatest in life-extension science, but they’ve only been proven to extend lifespan by 20 percent in rats.

But suppose gene therapy makes major strides, and Darpa does manage to get the evolutionary science right. They’ll also have a major ethical hurdle to jump. Synthetic biology researchers are already facing the same questions, as a 2009 summary from the Synthetic Biology Project reports:

The concern that humans might be overreaching when we create organisms that never before existed can be a safety concern, but it also returns us to disagreements about what is our proper role in the natural world (a debate largely about non-physical harms or harms to well-being).

Even expert molecular geneticists don’t know what to make of the project. Either that, or they’re scared Darpa might sic a bio-bot on them. “I would love to comment, but unfortunately Darpa has installed a kill switch in me,” one unnamed expert tells Danger Room.

By Radoslav Penchev

The hype and build-up to this coming season has been more frantic than any other year, and for good reason. We have two British world champions paired in a top team, two-times champion Fernando Alonso in a prancing horse, the return of the Canadian Grand Prix and the introduction of a race in South Korea. Added to that is the prospect of two/three/four (delete as applicable) additional teams arriving on the starting grid.

All of these, however, are eclipsed by the return of one man: Michael Schumacher.

Some say that he is arrogant to a fault; some say that he made Formula 1 boring during his period of dominance, and the truly ignorant know him only as the Stig off Top Gear. But whatever your views about the man, Schumacher is, statistically at least, the greatest Formula 1 driver of all time. And now, after three seasons in retirement, he is returning.To glimpse what the German’s return means to the Formula 1 fans, media, the current drivers, and even the man himself, just look back to the end of July, and the aftermath of the Hungarian Grand Prix. After the scare of Felipe Massa’s accident in qualifying, and the worrying news which came out of the hospital in Budapest that afternoon about the Brazilian’s fractured skull, the mood turned to one of excitement – once we’d learned that Massa should make a full recovery – as a rumour emerged that the legend Schumacher was returning to the sport.

By the Wednesday after Hungary the shock announcement was made: Schumacher would return as a ‘favour’ to Ferrari. The great and good of Formula 1 past and present were giving their opinions on how the seven-time world champion would do, some voicing concern that he was too old, out of practice, and taking a big risk. Fans, even those who disliked Schumacher, would admit they were intrigued at seeing him take on the young talent like Hamilton and Vettel. Of course, the comeback never happened. Schumacher had suffered a bike accident in February 2009, and testing in a 2007 car aggravated the resulting neck injury. Almost tearful in a press conference, Michael had to announce to the world that the much awaited comeback was not going to happen. “I am disappointed to the core,” he said. “I am awfully sorry for the guys of Ferrari and for all the fans which crossed fingers for me.”

Luca Badoer managed two almost comical races as Massa’s replacement before the team replaced him with Giancarlo Fisichella.

At the end of the season, Mercedes took over championship winning team Brawn GP, and soon afterwards Jenson Button left for McLaren. This seemed a strange decision on the part of both driver and team, as Mercedes’ other driver Nico Rosberg was hardly a proven world beater.

The chance of working with Ross Brawn again, and driving for Mercedes, his childhood sponsor, was far too big a temptation for Schumacher to refuse. On 23rd December last year Formula 1 fans got one of the best Christmas presents they could wish for: The neck was healed, and Schumacher had signed a three-year deal to drive the silver arrows. In a BBC interview the German said he was ‘recharged’ after his three-year break from the sport, and relishes the challenge ahead.

Many ‘experts’ cast doubts over Schumacher’s ability to compete with the best at the age of 41, but Ross Brawn obviously has faith in the driver that he masterminded to seven-world championships. Michael’s experience may even put him at a slight advantage over his rivals – he is the only driver on the grid to have won a world championship during the previous era without refuelling.Winter testing has also indicated that Schumacher hasn’t lost his sharpness.

Ferrari was the team which brought Schumacher much of his success, but Mercedes were actually the company responsible for his debut in Formula 1. The German car-maker funded Michael’s first race at Jordan in 1991, and Eddie Jordan later admitted that if they hadn’t, he would have given Schumacher’s race seat to a driver with deeper pockets.

So now, only a few days before the start there is one question - will Schumacher's debut be a triumph or a tragedy? And the risk he takes is grate. If he proves his critics wrong he will only be another great champion to come back, just as Nicky Lauda did. But if he fails his reputation and his status as contender for the title of "greatest driver of all time" will be slanted. And Schumacher realises this perfectly well.

So why do it? In an interview in January he said that a life away for the track is not for hi, and he is probably right but he is also a winner-one of those individuals that do not have the word impossible in their vocabulary.

(c) Outspoken Poet

Radiant stares of delicate treasure bronze eyes
Capture a stars glisten as it lingers in the sky
Her soul silently levitating in the vastness of the night
In a shape shifters darkness, as moonlight becomes her.

Thin sunbeam satin strands, lightly dust her skin
Full luscious lips, highlight the slightest dimple of a grin
Her beauty a fascinating portrait, from hair line to chin
In a shape shifters darkness, as moonlight becomes her.

Chilled winds lightly blowing, enlarge the peaks of her breasts
Igniting a flaming fire, housed deep within the halls of her chest
Expanding the nights blackened walls, becoming darkness' sweet caress
In a shape shifters darkness, as moonlight becomes her.

The shadows light, delicately bouncing off the wavering of her curves
Tracingly devouring the shallow hollows and rounded swerves
Licking up every droplet of her skins dampened preserves
In a shape shifters darkness, as moonlight becomes her.

A mirage of perfect perfection, hovers distantly in the night
Highlighted by the earth's glow and the darkness' ray of light
A chameleon of pleasure locked away from mans sight
In a shape shifters darkness, as moonlight becomes her.

Your wells are running dry.
And though the days of Martin and Malcolm have ended
your power has descended,
and off to the side.
Fought by the victims of your own polution,
who have found a solution
out of your prisons of delusion.
So mark my words,the day is near.
When we shall stand as one.
The Human In Humanity shall overcome!