Showing posts with label Food for thought.. Show all posts
Showing posts with label Food for thought.. Show all posts
A positive cause extremist is still na extremist. Violence in opposition to oppression is still violence. Verbally offending the wicked is still an output of negative energy. Fighting what is wrong with it's own tools doesn't contribute to a positive outcome as the outcome is corrupted in it's inception. Positive can not be reached by means of negative. Perfection is a chimera, purists are liars. Strive for the golden middle with hopes that in the end the positive will just outweigh that, which one believes is negative.
Everything is negative.
Everything is negative.
RIP Gil Scott Heron
Gil Scott Heron, the musician, poet and author famous for the saying “The Revolution Will Not Be Televised” passed away on May 27th 2011. Here’s a poem written by Lupe Fiasco in his honor which I believe will ring true with many readers of this site.
“The Television Will Not Be Revolutionized”
Idiot boxes of the world unite! To fight off the effects of intelligence, replace smart quotes with fart jokes, substitute sense with scenes from Martin, let the baby’s bathe in that glow and learn all manner of things they don’t really need to know!
The Television Will Not Be Revolutionized!
Channel the content of some rambling nonsense deep into the annals of yo’ subconscious, deprogram and depress chasing some televised success, be them, that, they and those be everything but in control,
The Television Will Not Be Revolutionized!
Small claims Court drama, teenage baby mamas, Osama watching Osama, Celebrity Endorsed indoor saunas, the perfectly cooked piraña and other cannonfodder for you to ponder, all at the speed of imitations of life while the smoke of war gets inhaled thru the peace pipes, be still my beating heart and scare my brain from thinking thoughts as i sit intoxicated by the delights, sarcasm and 3 strikes thrown by my favorite pitcher in a sound surrounded, 3 dimensional, high death, full color mixture, wholly unsocializing and completely uncensored,
The Television Will Not Be Revolutionized!
By this one-eyed monster most of the world was raised, and by this hero most of the world was saved, and to this master most of the world is slaves, it factors your fears with actors and cheers from a live studio audience pushing you to engage in a heroic act of thoughtlessness for the grand prize of a little bread, fleeting fame in the circus and every thought in yo head,
The Television Will Not Be Revolutionized!
“Ain’t no changing me” said my flat screen TV, No More Che’s to the rescue, or Black Panthers to correct you, just coaxial cables and satellite signals to connect you to a world that doesn’t really look like it does on TV, where everything is much shorter, fatter, uglier and in disorder, where u have to do it now because there are no digital recorders where if the present gets boring you can just fast forward,
The Television Will Not Be Revolutionized!
So there will be no revolution, or paradoxically ironic televised public execution of the entire worldwide televising institution, there wont even be a celebritized, televised trial of old baby blue, cuz you see my dear friends the television will not be revolutionized but what about the revolution that should taking place inside………………….of you?
By Wasalu “Lupe Fiasco” Jaco in Dedication to that guiding light of a human being Gil-Scott Heron
After the announcement of Bin Laden’s death, hundreds of people gathered in front of the White House chanting “USA! USA!”.
It is in times like these that a line is drawn between critical thinkers and those who get swiped by media crap-storms; Between those who understand the complexity of a situation and those who’d rather not know; Between those who comprehend the underlying motives of the elite and those who go outside chanting “USA! USA!”.
On the evening of May 1st 2011, Barak Obama’s statement was one of triumph and celebration. He claimed that, with the death of Osama Bin Laden, “justice was served”. The media spin following the announcement was equally as celebratory: “It is a great day for America and the world”…”The biggest piece of news since 9/11″…”We’ll all remember where we were when we’ve heard this news”…The entire “event” was artificially inflated, exaggerated and glorified.Should the death of a man cause happiness and celebrations? Since when have we devolved into such a barbaric state? Because he perpetrated 9/11? Did he also cause the Building 7 to implode? Damn you Osama and your team of engineers!
I’ll spare you the entire “9/11 was an inside job” speech, as I know most of this site’s readers are all too aware of it. In this case, why should we care if Ben Laden is dead or not? Is he really dead? Did he die nine years ago? Who really knows? We’re living in an era of artificial, fully staged, media-generated events. Why was Bin Laden’s death announced on the evening of May 1st? Because it was the required sacrifice of the “most magical time of the year”, which was launched with the Royal Wedding.
A very interesting article I wanted to share with you. It is a rather grim reality if you ask me.Written by Thomas Baekdal | Monday, April 27, 2009
These days, everyone is trying to figure out how to connect with other people. It used to be simple, you just placed some ads in whatever newspaper that was most suited to your product, but now that world is becoming ever more irrelevant. So how do you connect with other people today? And more importantly, how do you do it tomorrow?In this article, we are going to take a little tour through the history of information, or more specifically, where to focus your efforts if you want get in touch with other people. It is a really exciting time, because we are currently in the middle of the most drastic change since the invention of the newspaper.
We are seeing an entirely new way for people to interact. One that makes all traditional ways seem silly. It is a fundamental shift, and it will completely change the world as we know it. And the best thing about it is that you get to help make it happen.
So join me on this (unscientific) tour of the last 210 years of information + 10 more years into the future.
The Georgia Guidestones is a mysterious monument on which are carved ten “commandments” for a “New Age of Reason”. The first commandment? Maintaining the world population under 500 million people. Another sinister fact: the authors of what we now call the American Stonehedge are still a “mystery”… except for those in the know. We will look at the numerous features of this monument and their symbolism
The Georgia Guidestones is an enigmatic granite monument situated in Elbert County, Georgia. Also known as the American Stonehedge, the gigantic structure is almost 20 feet high and is made of six granite slabs, weighing in total 240,000 pounds. The most astonishing detail of the monument is however not its size but the message engraved into it: Ten rules for an “Age of Reason”. These guides touch upon subjects that are associated with the “New World Order”, including massive depopulation, a single world government, the introduction of a new type of spirituality, etc. The authors of those rules have requested to remain totally anonymous and, until now, their anonymity has been duly preserved. However, this mysterious group left a text explaining the reasoning behind the rules, a text that was not discussed online before. With this new information, the purpose behind the Guidestones become very clear, leaving little room for hypotheses. The Guidestones describe the ideal world, as envisioned by occult Secret Societies.
The Symbolism of "Metropolis" and it's depiction and influence in todays' pop-culture.
0 comments Posted by in.SIGHT at 10:55Fritz Lang’s 1927 movie “Metropolis” is one of those timeless classics that withstand the test of time. Rather than becoming forgotten and obsolete, “Metropolis” is increasingly relevant as many of its predictions are becoming reality. We will look at the underlying occult message of the film and the usage of its imagery in the acts of pop stars such as Lady Gaga, Madonna, Beyonce, Kylie Minogue and others.
Published in The Times Magazine.
A Picture That Changed the Face of AIDS
In November, 1990, LIFE magazine published a photograph of a young man, David Kirby -- his body wasted by AIDS, his gaze locked on something beyond this world -- surrounded by anguished family members as he took his last breaths. The haunting image of Kirby's passing (above), taken by a journalism grad student named Therese Frare, became the one photograph most identified with the HIV/AIDS epidemic that, by then, had seen as many as 12 million people infected. Now, 20 years after her photograph helped transform public perception of the disease, LIFE spoke with Frare about that picture; the international controversy it sparked when United Colors of Benetton used it in a 1992 ad; and the never-before-published photographs she took before and after David Kirby's death -- photos that reveal the untold story behind one of the 20th century's most heart-breaking, indelible images.
An exert from John Potash's book 'The FBI War on Tupac Shakur and Black Leaders"Note:The book follows mainly 2pac but also the black panters as his mother and surrogate father were high-ranking members.Evidence has now proven the intervention of the FBI in their pursuit and incarciration.
Fame and Politics
By the end of the Reagan/Bush era, Shakur's auspicious musical debut, including lyrics discussing his Black Panther family, coupled with leading movie roles, threatened to bring the Panthers back into vogue.
Thus it is no coincidence that Shakur attracted police attention in direct proportion to his fame and success. In line with Shakur's quote, "I never had a record until I made a record," shortly after his successful solo debut, Oakland police ticketed him for jaywalking, then arrested and beat him in custody.Shakur's first record, 2Pacalypse Now, railed against the FBI, the CIA, and President Bush. In 1992, a year after that album's release, Vice President Dan Quayle, and later Senator Bob Dole, singled him out as responsible for police deaths.
With the FBI watching Shakur since he was a teen, and his leadership in the New Afrikan Panthers, a group dedicated to replicating the Black Panthers,police involvement in his life deserves more scrutiny.
While Shakur's lyrics often dramatized inner-city life, including what some might view as negative images, glorifying gang life and denigrating women, they also included many positive political messages: ideas about Malcolm X and various Black Panthers.As a youth, Shakur performed benefits for Black Panther prisoners. By nineteen, he sang with the Grammy-nominated band Digital Underground. Besides his stint as a Panther Chairman and his Underground Railroad/Thug Life Movement, Shakur participated in a Stop the Violence program, helped with a home for at-risk youth, sponsored a "Celebrity Youth League," joined Central American solidarity benefits, and regularly spoke at rallies for voter registration and progressive activist groups.
The nature of the beneficiaries of Shakur's ever-increasing success must have set off alarms in the intelligence world. Some of Shakur's enormous wealth (the estimated worth of his 200 unreleased recordings alone was over $100 million) was donated to programs and causes his Panther family supported, including Afeni Shakur's research efforts, with her imprisoned partner Mutulu, which eventually contributed to the release of Pratt in 1997.
By the end of the Reagan/Bush era, Shakur's auspicious musical debut, including lyrics discussing his Black Panther family, coupled with leading movie roles, threatened to bring the Panthers back into vogue.
Thus it is no coincidence that Shakur attracted police attention in direct proportion to his fame and success. In line with Shakur's quote, "I never had a record until I made a record," shortly after his successful solo debut, Oakland police ticketed him for jaywalking, then arrested and beat him in custody.Shakur's first record, 2Pacalypse Now, railed against the FBI, the CIA, and President Bush. In 1992, a year after that album's release, Vice President Dan Quayle, and later Senator Bob Dole, singled him out as responsible for police deaths.
With the FBI watching Shakur since he was a teen, and his leadership in the New Afrikan Panthers, a group dedicated to replicating the Black Panthers,police involvement in his life deserves more scrutiny.
While Shakur's lyrics often dramatized inner-city life, including what some might view as negative images, glorifying gang life and denigrating women, they also included many positive political messages: ideas about Malcolm X and various Black Panthers.As a youth, Shakur performed benefits for Black Panther prisoners. By nineteen, he sang with the Grammy-nominated band Digital Underground. Besides his stint as a Panther Chairman and his Underground Railroad/Thug Life Movement, Shakur participated in a Stop the Violence program, helped with a home for at-risk youth, sponsored a "Celebrity Youth League," joined Central American solidarity benefits, and regularly spoke at rallies for voter registration and progressive activist groups.
The nature of the beneficiaries of Shakur's ever-increasing success must have set off alarms in the intelligence world. Some of Shakur's enormous wealth (the estimated worth of his 200 unreleased recordings alone was over $100 million) was donated to programs and causes his Panther family supported, including Afeni Shakur's research efforts, with her imprisoned partner Mutulu, which eventually contributed to the release of Pratt in 1997.
Shakur was also achieving a new-found maturity in his mid-twenties. His engagement to Kidada Jones, daughter of music mogul and Vibe magazine owner, jazz composer Quincy Jones must have worried police and intelligence officials, because of the vast wealth and influence of the elder Jones, and concern that Shakur's activist projects, such as his "Thug Life Movement" to turn drug dealers into lawful singers,and his last interview statements of going back to his family's ways, would mark a return to his earlier radical activism.
The Setup
The finding of continued COINTELPRO-type activities adds weight to evidence that Shakur's associate Jacques Agnant (a/k/a Ricardo Brown, a/k/a Nigel) was an undercover agent who infiltrated his life and contributed to his legal problems. In 1993, after befriending Shakur, Agnant introduced Shakur to Ayanna Jackson the night she had consensual sex with the singer, first on a dance floor and then in his hotel room.In a second visit to Shakur's hotel room several days later, set up again by Agnant, Jackson charged Shakur, Agnant, and two others with sexual assault.
Events around the trial point to Agnant's government connections. Agnant's trial lawyer, Paul Brenner, had represented the Policemen's Benevolent Association for many years.In addition, Agnant's case was severed from that of the other defendants without protest from the prosecutors. And, after Shakur's trial, Agnant's felony indictment was dismissed, and he simply pleaded guilty to two misdemeanors.
Shakur was convicted of three of the nine charges, relating only to non-consensual touching of Jackson's buttocks (typically reported only as "sexual abuse"), and sentenced to one-and-a-half to four-and-a-half years, an extremely harsh sentence.(In 1994, New York City police admitted "accidentally erasing" a tape Shakur and companions had of Jackson that supported Shakur's defense. His lawyer, Michael Warren, successfully argued that the police also planted guns in the hotel suite where the supposed assault occurred.
Jacques Agnant was also connected to Shakur's near-fatal mugging in late November 1994. Toward the end of Shakur's sexual assault trial, Agnant was seen several times secretly following Shakur. Several days later, "Booker," a man Agnant had introduced to Shakur, paged the singer and asked him come to a studio in Times Square to record with a new rapper. Booker called Shakur insistently that night, lied to him about who would be there, and offered $7,000 cash from his pocket to get Shakur to the building. When Shakur arrived with three companions, two men held him at gunpoint in the lobby and stripped him of his gold jewelry, although they left his diamond-encrusted Rolex, which Agnant had bought for him. Then they shot him in the groin and twice in the head, while he was face-down on the floor.
Los Angeles
Some suspicious aspects of the event were noted by editors of the Amsterdam News.Shakur and a companion both said they saw a police car outside the lobby doors on Broadway, immediately after the assailants fled, guns in hand. The New York Police reported this as a random mugging, yet the assailants picked an extremely well-lit Times Square area for a robbery.
In what the Washington Post described as "one of the many strange twists in the case,"three of the same cops who first appeared a year earlier at Tupac's hotel in the sexual assault arrest were the first to arrive at this near-fatal "mugging."And at least one has been identified as a member of New York's now infamous Street Crime Unit.
A History of Provocations
There are many examples of police and intelligence provocations against Panthers, including infiltrators, fake letters, fabricated rivalries, etc.
After Shakur's imprisonment for the sexual abuse conviction, jailmate "informants" and anonymous letters he received led the singer to believe that his fellow rapper friend Biggie Smalls (a/k/a Christopher Wallace) had set up the shooting, even though Smalls lacked a motive for doing so.
Biggie Smalls was killed in Los Angeles in 1997, seven months after Shakur's murder. The L.A. Times reported that New York police officers were near the murder scene when it occurred, supposedly taking part in a federal investigation into Smalls's record label.His death helped "substantiate" the East/West rap war that the authorities were trying to foster, and directed suspicions toward Brooklyn-based Smalls for California-based Shakur's death.
Political writer Christian Parenti suggests that the East/West rap music feud, as well as Shakur's sexual assault charge, may have been a latter-day COINTELPRO against rap artists.
A Desperate Agreement
After rejecting two previous offers from Death Row Records owner/producer Marion "Suge" Knight, an imprisoned Tupac Shakur was finally forced to sign a contract that included his bail money. But people close to Shakur knew he wanted to leave Death Row and start his own label. Ten days before his murder, Shakur fired Death Row lawyer Dave Kenner, who had been assigned to him by Knight. Friends of Shakur reported that this move was very dangerous because of Kenner's power in Death Row Records and Knight's violent business practices.
LAPD intelligence operations suggest Knight's connection to a government program.Los Angeles was the site of the largest western FBI/police intelligence collaboration against Black activists in the 1960s and 1970s, as described above in the targeting of Geronimo Pratt. L.A. was also the site of the CIA-Contra connection to crack cocaine in the 1980s, and there is evidence that Knight was involved in drug dealing at that time.Crack cocaine infiltrated into South Central L.A., created millionaires, some of whom worked with the authorities, particularly the notorious government collaborator "Freeway" Ricky Ross.
One of L.A.'s two top cocaine dealers who came on the scene at the same time as Ross and reportedly "ended up buying from him... and... learning from him," was Michael Harris.Harris, who ended up in jail, was represented by David Kenner, who convinced him to put up the first million dollars to start Death Row Records. Kenner made himself president of Death Row Records and later completely cut Harris out of the company. Harris is currently suing Kenner.
Suge's Role
It was Suge Knight who was driving the car in Las Vegas the night of Tupac's murder. Kidada Jones, Tupac's fiancée, reported that Tupac wanted to drive his own car that night, but Knight convinced the rapper to ride with him in an open-windowed BMW. According to an ex-bodyguard of Knight's, the murder scene was "aberrant" because there were no armed bodyguards in Knight's car nor in the accompanying car behind them. Although Knight had lived in Las Vegas for several years, and knew the area well, he made a curious U-turn away from a nearby hospital as Shakur lay dying next to him. Weeks later, Knight stated that he wouldn't give anyone information about the killers because "it's not my job." Knight was arrested and jailed for violating his probation a few days after Shakur's death. He has continued to run Death Row Records from his jail cell. (In early April, Knight was named as a suspect in Biggie Smalls's murder, which the authorities claim he masterminded from jail.)
After Tupac's death, Afeni Shakur was told that her son owed Death Row money, even though his albums for the company had grossed over $150 million in sales (70 percent of rap albums are bought by white youth) . While Afeni won the legal right to obtain all of her son's unreleased recordings, she only received a portion of them from Death Row. And their more than $100 million estimated dollar value would soon decrease. With very little financial motive for the only suspect, Death Row, government pressure probably led Knight to let 13 illegal bootleg discs hit the streets and massively devalue Afeni Shakur's inherited estate.
Tupac's Legacy
In his last interviews, Shakur espoused radical political ideas and plans. He spoke of religion as social control, of returning to his family's ways but "with a more militant philosophy," of plans to start an interracial "lost-tribe" political party, and to devote future album proceeds to start community centers. He also explained that his trademark "W" hand sign, which had indicated the West Coast, would now mean "War." He said, "West Coast and East Coast together [to gain] power" for "Black America."
Shakur's incredible fan devotion and societal influence were likely thorns in the side of the intelligence community. After his death, Shakur received tributes by leading intellectuals and was memorialized in mass assemblies at Black colleges. His legacy sparked courses devoted to his work at prestigious universities, including the University of California at Berkeley.
While unsubstantiated versions of the story behind Tupac Shakur's death are frequently asserted, there has been no real independent investigation of government involvement. Shakur's political-activist life and radical heritage call for such an inquiry.
Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.
So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.
Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.
The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state.
We will attempt to decode the symbolism of the video and how it relates in today’s context.
Here’s the video:
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”
The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.
- Is there a syringe in the Sacred Heart?
But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.
In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.
Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.
“She hides true loveEn su bolsillo.
She’s got a halo ’round her finger,
Around you.”
The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?
The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.
- Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
Inverted Cross
Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.
In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.
“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”
- Manly P. Hall, Secret Teachings Of All Ages
- Inverted cross and inverted pentagram as satanic symbols
The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.
Becoming a God
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.
In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.
- A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart
Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.
At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.
Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.
The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.
Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop.During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.
The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of the men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?
Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign and revealing the true nature of her power.
- Again, One-Eye hinting to the nature of the oppressive force
In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything Democracy supposedly stands for.
Mind Controlled Slaves?
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.
In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?
In Conclusion
As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.
Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale?
Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used to make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about. Thank God for the internet.
(c) Outspoken Poet
Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music
0 comments Posted by in.SIGHT at 05:01 Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.
I’ve always considered Christina Aguilera to be a notch above most pop singers due to the fact that she could actually sing. However, in order to continue with her success, it was only a matter of time before she ended up in the same place as the other pop stars in the market today. Everything about her new album is heavily tainted with the Illuminati agenda, and the first single Not Myself Tonight acts as an initiation piece. We will see that this plagiarism is, in fact, Christina only following the trend forced on pop stars.
Warning: Parts of this article might be disturbing for some.
From Christina to Xtina
Christina was first discovered by Disney, a company that has specialized in recruiting kids who then progressively become sex bombs as the years go by (Miley Cyrus is next). Christina was part of a particularly prolific edition of the Mickey Mouse Club.
Christina used her great talent to make her way into the pop scene with the 1999 album Christina Aguilera, with a clean “innocent teen” look. Everything changed in 2002-2003 with the release of the album Stripped. In a very symbolic performance during the 2003 MTV Video Music Awards, Christina is “consecrated” by the Kabbalistic Grand Priestess Madonna. This highly publicized event deserves a second look.
2003 VMA Perfomance
Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.
She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom, as she walks down the 13 steps of initiation. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:
Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood
The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.
Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.
- Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.
In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.
New Christina
- Black magic photo shoot complete with ritualistic pentagram and discarded dolls
- Dehumanization and alter persona symbolized by the mannequin
Her latest effort completely embraces today’s Illuminati agenda by exploiting the theme of transhumanism. The album title “Bionic” and the cover art is truly about the merger of man and robot. Christina’s head is portrayed as a programmable mechanism, a concept relating to mind control.
- Christina as a programmable robot (reference to mind control) and the now inevitable focus on one eye
More One Eye Symbolism
As seen in many other articles, almost all pop artists taking on Illuminati themes in their art almost always flash the “one eye sign” in their videos or photo shoots. Christina is not an exception.
Concept of Not Myself Tonight
The Videohttp://www.youtube.com/watch?v=TjoqHasrjIQ
Not Myself Tonight has been accused of copying Lady Gaga’s Bad Romance. Although the videos were produced by two different directors (Francis Lawrence for Gaga and Hype Williams for Christina), they both exploit similar themes, which are also common in many other pop music videos. Although it is easy to say “the bitch copied Gaga!”, this statement does not take into consideration the bigger picture of the music industry. The same themes are expected and required to be prevalent in today’s hits. The industry defines its own trends and in order to be successful, artists must follow these trends and communicate the same messages. Not Myself Tonight is simply a continuation through another artist, and therefore exploits trademark themes such as mind control, transhumanism, occult initiation and so forth.
The subject of the song is Christina being “not herself tonight” which is, at face value, her wanting to go out and go crazy, “kissing the boys and the girls.” However, the imagery and symbolism of the video adds another level of interpretation to the song that refers to mind control, occult initiation and alter personalities. The theme of being “out of character” and not controlling one’s actions is often portrayed in recent videos and is associated, through symbolism, to Monarch programming or supernatural “possession.” This is often symbolically represented by the classic “devil horns” as seen on the promo image of her single.
As said earlier, she is just following the trend set by the industry.
Monarch programming is a mind-control method based on the creation of an alternate persona through the usage of torture and ritual abuse. Some authors on the subject, such as Ron Patton, have mentioned that Monarch programming utilizes ancient occult techniques reminiscent of spirit possession. The lyrics of the song reflect the creation of a new persona:
“I’m out of character, I’m in rare form
And if you really knew me, you’d know its not the norm
Cos I’m doing things that I normally won’t do
The old me is gone , I feel brand new
And if you don’t like it, fuck you”
As we will see later, the symbolism of the video is based on initiation and on the creation of an alter personality, which is expressed lyrically The old me is gone, I feel brand new. The theme of being a crazier/wilder/sexier self is often portrayed in recent videos and is almost always coupled with scenes of restraint, dehumanization and/or torture. This is an obvious case of cognitive dissonance, where the portrayal of torture is a part of one’s “liberation.” In Not Myself Tonight, Christina is seen hog-tied with her eyes forced opened, which is reminiscent of mind control victims being forced to watch videos to reinforce their programming.
This practice is depicted in the mind-control themed Clockwork Orange by Stanley Kubrick.
- Screen shot from Clockwork Orange where Alex is forced to watch ultra-violent scenes as part of his reprogramming.
Sex Kitten Programming
The first part of the video is heavily tainted with references to mind control and, more precisely, Sex Kitten programming. This trend is becoming increasingly common in the music and fashion industry.BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.In mind control, Beta programming, also known as Sex Kitten programming creates in the dissociative victim an alter-personality that is a programmed to be sex slave.
-Ron Patton, Project Monarch
“The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc.”Some references to sex kitten programming are peppered throughout the video.
- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave
The creation of alter personalities is represented in the video with Christina being surrounded by look-a-likes. She plays the role of the mind-control handler herself.
Ritual Initiation
The second part of the video essentially describes Xtina’s “initiation” through ritual sex. Some symbolic scenes tell this story.Halfway through the song, Christina is dressed in black with masculine features and standing between two pseudo-masonic pillars.
This scene is similar to the VMA performance referenced above, where Madonna played the master of ceremonies. Christina plays the same role in this scene. She is standing on top of stairs, near a mysterious gateway, symbolizing her high rank within the “inner-hierarchy”. Her monocle covers one eye which refers to the Illuminati power structure. The master of ceremonies kicks off the ritual initiation of Xtina, the Sex Kitten.
In the following scene, Xtina is shown entering a doorway, symbolizing the “passing through the gates” of her initiation.
Xtina is then shown putting fire to her clothes, indicating that she is destroying her old self and embracing the new Xtina alter persona.
The initiation is then sealed and consummated by nothing less than an orgy inside a church.
In Conclusion
Although Christina Aguilera’s new work was accused of plagiarism by some pop culture observers, they fail to realize that she is simply following the agenda forced on pop stars. The standardization of the music industry has resulted in different artists exploiting the same symbolism, themes and aesthetics. Superficial differences define each artist, but the content and message of their music stay the same.This repetition is an important clue to identify the existence of a alternative agenda in the industry.The complete transformation of Christina Aguilera for the Bionic album, and her embrace of ALL of the themes discussed in previous articles (including the “one-eye thing”) should send you a clear message. There is an agenda in the music industry and one must fit the mold in order to get promoted as a star. This does not guarantee worldwide success, but it is the only way to get the industry approval needed to obtain it.
Imagine we are foreign intelligence service agents and we spy for Russian military bases. Just a few years ago it was impossible, not to mention how it was impossible during the iron curtain era. But now thanks to google we can see all the top secret Russian objects clearly on those shots.
Russia still stays very militarized country.
If to explore with Google earth just a small part of it, the Murmansk region (one of many of Russian regions) which is located next to Norway and Finland, we can meet tens of military objects, mainly Russian Navy ones.
Here they are:
All the locations on these shots as have been said are from Murmansk region.
This one is Olenegorsk, Russian air force base. Those are not just fighters, those are strategic bombers.
Murmansk itself, abandoned navy ships.
Murmansk. Nuclear-powered ice-breaker in the dock.
Kola Bay, near Murmansk, small town “Poliarniy”, oil-tanker “Belokamenka”. One of the largest oil tankers in the world. It is 100 feet tall (as ten stores building).
It is more than 1000 ft long (340 metres), width 200 ft (65 metres), it transports 4 millions tons of oil each year.
Severomorsk. Ships of Russian Northern Navy. The sixth from the left is the biggest ship in the Russian Northern Navy - nuclear-powered cruiser “Kirov”.
Russian submarines.
Different types of Russian submarines.
Russian S-300 (SA-10) long range surface-to-air missiles. The same ones as Russia now exports to Iran. We had a few months ago an article about an inflatable version of those missiles - the ones that can fool the from-air observer.
Another abandoned ship near Murmansk.
More Russian submarines. It is the home base of legendary “Kursk” submarine, the one which got sank a few years ago near Murmansk and whole crew died, because the rescue team has not come in time. Take a not on the submarine to the right - it is split to two parts, probably this is a bug of google photos.
And even more abandoned Russian Navy ships.
Some unidentified Navy object a few miles from the shore.
All the submarines we have seen before were children toys in comparisson with those. Those are sisters of the already mentioned “Kursk” submarine. 500 ft long, 60 ft high. They say it can sweep major USA cities of the ground.
Those are previously top-secret “Taifun” class submarines. The biggest nuclear-powered submarines in the world. They could carry up to 200 missiles.
Here are them from a more distant perspective. “Taifuns” from the left and “949A” (”Kursk sisters”) from the left.
This is the storage for a used nuclear fuel.
Gremiha. Empty nuclear missiles wells.
Gremiha. Under this cape there is another underground submarine base and from these road two tunnels lead inside.
Kovdor. A hidden mountain.
Allakurti. Military base.
Allakurti, same military base.
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