Showing posts with label Ratiocinations. Show all posts
Showing posts with label Ratiocinations. Show all posts
Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.
So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.
Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.
The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state.
We will attempt to decode the symbolism of the video and how it relates in today’s context.
Here’s the video:
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”
The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.
- Is there a syringe in the Sacred Heart?
But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.
In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.
Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.
“She hides true loveEn su bolsillo.
She’s got a halo ’round her finger,
Around you.”
The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?
The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.
- Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
Inverted Cross
Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.
In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.
“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”
- Manly P. Hall, Secret Teachings Of All Ages
- Inverted cross and inverted pentagram as satanic symbols
The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.
Becoming a God
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.
In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.
- A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart
Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.
At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.
Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.
The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.
Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop.During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.
The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of the men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?
Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign and revealing the true nature of her power.
- Again, One-Eye hinting to the nature of the oppressive force
In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything Democracy supposedly stands for.
Mind Controlled Slaves?
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.
In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?
In Conclusion
As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.
Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale?
Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used to make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about. Thank God for the internet.
(c) Outspoken Poet
Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music
0 comments Posted by in.SIGHT at 05:01 Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.
I’ve always considered Christina Aguilera to be a notch above most pop singers due to the fact that she could actually sing. However, in order to continue with her success, it was only a matter of time before she ended up in the same place as the other pop stars in the market today. Everything about her new album is heavily tainted with the Illuminati agenda, and the first single Not Myself Tonight acts as an initiation piece. We will see that this plagiarism is, in fact, Christina only following the trend forced on pop stars.
Warning: Parts of this article might be disturbing for some.
From Christina to Xtina
Christina was first discovered by Disney, a company that has specialized in recruiting kids who then progressively become sex bombs as the years go by (Miley Cyrus is next). Christina was part of a particularly prolific edition of the Mickey Mouse Club.
Christina used her great talent to make her way into the pop scene with the 1999 album Christina Aguilera, with a clean “innocent teen” look. Everything changed in 2002-2003 with the release of the album Stripped. In a very symbolic performance during the 2003 MTV Video Music Awards, Christina is “consecrated” by the Kabbalistic Grand Priestess Madonna. This highly publicized event deserves a second look.
2003 VMA Perfomance
Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.
She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom, as she walks down the 13 steps of initiation. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:
Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood
The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.
Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.
- Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.
In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.
New Christina
- Black magic photo shoot complete with ritualistic pentagram and discarded dolls
- Dehumanization and alter persona symbolized by the mannequin
Her latest effort completely embraces today’s Illuminati agenda by exploiting the theme of transhumanism. The album title “Bionic” and the cover art is truly about the merger of man and robot. Christina’s head is portrayed as a programmable mechanism, a concept relating to mind control.
- Christina as a programmable robot (reference to mind control) and the now inevitable focus on one eye
More One Eye Symbolism
As seen in many other articles, almost all pop artists taking on Illuminati themes in their art almost always flash the “one eye sign” in their videos or photo shoots. Christina is not an exception.
Concept of Not Myself Tonight
The Videohttp://www.youtube.com/watch?v=TjoqHasrjIQ
Not Myself Tonight has been accused of copying Lady Gaga’s Bad Romance. Although the videos were produced by two different directors (Francis Lawrence for Gaga and Hype Williams for Christina), they both exploit similar themes, which are also common in many other pop music videos. Although it is easy to say “the bitch copied Gaga!”, this statement does not take into consideration the bigger picture of the music industry. The same themes are expected and required to be prevalent in today’s hits. The industry defines its own trends and in order to be successful, artists must follow these trends and communicate the same messages. Not Myself Tonight is simply a continuation through another artist, and therefore exploits trademark themes such as mind control, transhumanism, occult initiation and so forth.
The subject of the song is Christina being “not herself tonight” which is, at face value, her wanting to go out and go crazy, “kissing the boys and the girls.” However, the imagery and symbolism of the video adds another level of interpretation to the song that refers to mind control, occult initiation and alter personalities. The theme of being “out of character” and not controlling one’s actions is often portrayed in recent videos and is associated, through symbolism, to Monarch programming or supernatural “possession.” This is often symbolically represented by the classic “devil horns” as seen on the promo image of her single.
As said earlier, she is just following the trend set by the industry.
Monarch programming is a mind-control method based on the creation of an alternate persona through the usage of torture and ritual abuse. Some authors on the subject, such as Ron Patton, have mentioned that Monarch programming utilizes ancient occult techniques reminiscent of spirit possession. The lyrics of the song reflect the creation of a new persona:
“I’m out of character, I’m in rare form
And if you really knew me, you’d know its not the norm
Cos I’m doing things that I normally won’t do
The old me is gone , I feel brand new
And if you don’t like it, fuck you”
As we will see later, the symbolism of the video is based on initiation and on the creation of an alter personality, which is expressed lyrically The old me is gone, I feel brand new. The theme of being a crazier/wilder/sexier self is often portrayed in recent videos and is almost always coupled with scenes of restraint, dehumanization and/or torture. This is an obvious case of cognitive dissonance, where the portrayal of torture is a part of one’s “liberation.” In Not Myself Tonight, Christina is seen hog-tied with her eyes forced opened, which is reminiscent of mind control victims being forced to watch videos to reinforce their programming.
This practice is depicted in the mind-control themed Clockwork Orange by Stanley Kubrick.
- Screen shot from Clockwork Orange where Alex is forced to watch ultra-violent scenes as part of his reprogramming.
Sex Kitten Programming
The first part of the video is heavily tainted with references to mind control and, more precisely, Sex Kitten programming. This trend is becoming increasingly common in the music and fashion industry.BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.In mind control, Beta programming, also known as Sex Kitten programming creates in the dissociative victim an alter-personality that is a programmed to be sex slave.
-Ron Patton, Project Monarch
“The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc.”Some references to sex kitten programming are peppered throughout the video.
- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave
The creation of alter personalities is represented in the video with Christina being surrounded by look-a-likes. She plays the role of the mind-control handler herself.
Ritual Initiation
The second part of the video essentially describes Xtina’s “initiation” through ritual sex. Some symbolic scenes tell this story.Halfway through the song, Christina is dressed in black with masculine features and standing between two pseudo-masonic pillars.
This scene is similar to the VMA performance referenced above, where Madonna played the master of ceremonies. Christina plays the same role in this scene. She is standing on top of stairs, near a mysterious gateway, symbolizing her high rank within the “inner-hierarchy”. Her monocle covers one eye which refers to the Illuminati power structure. The master of ceremonies kicks off the ritual initiation of Xtina, the Sex Kitten.
In the following scene, Xtina is shown entering a doorway, symbolizing the “passing through the gates” of her initiation.
Xtina is then shown putting fire to her clothes, indicating that she is destroying her old self and embracing the new Xtina alter persona.
The initiation is then sealed and consummated by nothing less than an orgy inside a church.
In Conclusion
Although Christina Aguilera’s new work was accused of plagiarism by some pop culture observers, they fail to realize that she is simply following the agenda forced on pop stars. The standardization of the music industry has resulted in different artists exploiting the same symbolism, themes and aesthetics. Superficial differences define each artist, but the content and message of their music stay the same.This repetition is an important clue to identify the existence of a alternative agenda in the industry.The complete transformation of Christina Aguilera for the Bionic album, and her embrace of ALL of the themes discussed in previous articles (including the “one-eye thing”) should send you a clear message. There is an agenda in the music industry and one must fit the mold in order to get promoted as a star. This does not guarantee worldwide success, but it is the only way to get the industry approval needed to obtain it.
"Meet Me Halfway":A track about love or about enlightment? An esoteric interpretation.
0 comments Posted by in.SIGHT at 01:03
Foreword:
I have been following the Black Eyed Peas since their first album "Behind The Front" (1998) when they were an underground hip-hop/funk group and I grew very fond of them. This changed slightly when they recruited Fergie and adopted a more commercial and pop-ish sound. Despite that they still manage to pull of 3-4 deep tracks on every album and still make it commercial which is virtually impossible in the mainstream today. "Meet Me Halfway" really struck me when I saw the video, which changed my mind about the meaning of the track - one that is much deeper than what the lyrics might initially suggest.
Fergie, the Human Soul
The video starts with Fergie lying down in a lush, green jungle. She is on the physical plane, on planet earth which is abundant with terrestrial life and life-giving humidity. She is the archetypal Eve in the Garden of Eden. Despite all the beauty surrounding her, Fergie is looking to the sky and yearning for “something more”, which is currently unattainable to her. She feels that there is something missing.
I can’t go any further than this
I want you so badly, it’s my biggest wish
I want you so badly, it’s my biggest wish
Fergie is singing to her divine nature, to her higher self which seems infinitely far from her, yet it can still hear her. She went as far as humanly possible in her spiritual quest and she is asking her spiritual self to make a move towards her. She is heard.
Apl.de.ap, the Divine Soul
Rapper apl.de.ap (yes, that’s his name) plays the role of Fergie’s higher consciousness, the missing piece needed to obtain spiritual enlightenment. He is dressed in garments reminiscent of eastern sages or mystics and is meditating. The fact that he is levitating, surrounded by an aura, rotating and multiplying himself further conveys this sense of ethereal, non-human presence. He is not a physical human, but Fergie’s spiritual counterpart. Apl.de.ap’s lyrics communicate that as much as Fergie wants to connect with her higher-self, the higher-self longs to reunite with Fergie as well. They were forming a single unit before she “fell” into material existence and they want to “become one” again.
Cool,
I spent my time just thinkin thinkin thinkin bout you
Every single day yes, I’m really missin missin you
And all those things we use to use to use to do
Hey girl, what’s up, it used to used to be just me and you
I spent my time just thinkin thinkin thinkin bout you
Every single day, yes I’m really missin missin you
And all those things we use to use to use to do
Hey girl what’s up, yo what’s up, what’s up, what’s up
I spent my time just thinkin thinkin thinkin bout you
Every single day yes, I’m really missin missin you
And all those things we use to use to use to do
Hey girl, what’s up, it used to used to be just me and you
I spent my time just thinkin thinkin thinkin bout you
Every single day, yes I’m really missin missin you
And all those things we use to use to use to do
Hey girl what’s up, yo what’s up, what’s up, what’s up
Apl.de.ap’s character completes Fergie in every way. She is physical, he is spiritual; she is lives in terrestrial life, he is lives in nothingness; she is female, he is male. In alchemical terms, she is the Mercury and he is the Sulfur. This concept of “two souls” is all-important Kabbalistic teachings.
Apl.de.ap uses a Torah Pointer to consult his map. In this esoteric context it is used for Kabbalistic studies. Does the Kabbalah provide the road map to enlightenment?
Torah Pointer
Here’s an explanation of Kabbalistic philosophy using the Zohar’s (the most important work of Kabbalah) interpretation of the Genesis:
“The Zohar holds the concept of two Adams: the first a divine being who, stepping forth from the highest original darkness, created the second, or earthly, Adam in His own image.The higher, or celestial, man was the Causal sphere With its divine potencies and potentialities considered as a gigantic personality; its members, according to the Gnostics, being the basic elements of existence. This Adam may have been symbolized as facing both ways to signify that with one face it looked upon the proximate Cause of itself and with the other face looked upon the vast sea of Cosmos into which it was to be immersed. Philosophically, Adam may be regarded as representative of the full spiritual nature of man – androgynous and nor subject to decay. Of this fuller nature the mortal man has little comprehension. Just as spirit contains matter within itself and is both the source and ultimate of the state denominated matter, so Eve represents the lower, or mortal, portion that is taken out of, or has temporal existence in the greater and fuller spiritual creation.”
-Manly P. Hall, Secret Teachings Of All Ages
-Manly P. Hall, Secret Teachings Of All Ages
Will.I.Am, the Vehicle
Exploring the universe on the back of his elephant, Will.I.Am is the liaison between the spiritual and the terrestrial world. He could be called a “cosmic travel agent”. He is seeking the gateway that would allow Fergie and Apl.de.ap to unite again. This sense of travel is well reflected in his lyrics:
Girl, I travel round the world and even sail the seven seas
Across the universe I go to other galaxies
Just tell me where you want, just tell me where you wanna to meet
I navigate myself myself to take me where you be
Cause girl I want, I, I, I want you right now
I travel uptown (town) I travel downtown
I wanna to have you around (round) like every single day
I love you alway .. way
Across the universe I go to other galaxies
Just tell me where you want, just tell me where you wanna to meet
I navigate myself myself to take me where you be
Cause girl I want, I, I, I want you right now
I travel uptown (town) I travel downtown
I wanna to have you around (round) like every single day
I love you alway .. way
Notice on the elephant the symbol of a double-headed eagle, which is very similar to the symbol of the Scottish Rite of Freemasonry.
Is Freemasonry the “gateway” to Kabbalistic enlightenment?
The Pine Cone Staff
Apl.de.ap gets up and starts his search for Fergie, his lost counterpart. He is the active principle searching, while Fergie is the passive principle, laying down on earth and waiting. Together they will become complete. In his walk through the cosmic desert, we can see that he is holding a very symbolic staff:
Pine cone staff
Pine cones have always been occultly associated with spiritual enlightenment. Whether we look at ancient Babylonians, Egyptians, Greeks or Christians, the pine cone has represented the mysterious link between the physical and the spiritual worlds, which can be found in the human brain. The pineal gland, also known as the third eye, is represented by the pine cone in occult symbolism. It is taught by Mystery schools to open the doors to spiritual perception once the seven Chakras are properly activated.
Pine Cone Staff of Osiris surrounded by the two serpents of the Kundalini. The staff represents the spine and the pine cone represents the pineal gland.
Giant pine cone at the Vatican
Manly P. Hall explains the importance of the pine cone in Freemasonry and ancient civilizations:
“Sufficient similarity exists between the Masonic CHiram and the Kundalini of Hindu mysticism to warrant the assumption that CHiram may be considered a symbol also of the Spirit Fire moving through the sixth ventricle of the spinal column. The exact science of human regeneration is the Lost Key of Masonry, for when the Spirit Fire is lifted up through the thirty-three degrees, or segments of the spinal column, and enters into the domed chamber of the human skull, it finally passes into the pituitary body (Isis), where it invokes Ra (the pineal gland) and demands the Sacred Name. Operative Masonry, in the fullest meaning of that term, signifies the process by which the Eye of Horus is opened. E. A. Wallis Budge has noted that in some of the papyri illustrating the entrance of the souls of the dead into the judgment hall of Osiris the deceased person has a pine cone attached to the crown of his head. The Greek mystics also carried a symbolic staff, the upper end being in the form of a pine cone, which was called the thyrsus of Bacchus. In the human brain there is a tiny gland called the pineal body, which is the sacred eye of the ancients, and corresponds to the third eye of the Cyclops. Little is known concerning the function of the pineal body, which Descartes suggested (more wisely than he knew) might be the abode of the spirit of man. As its name signifies, the pineal gland is the sacred pine cone in man – the eye single, which cannot be opened until CHiram (the Spirit Fire) is raised through the sacred seals which are called the Seven Churches in Asia.”
-Manly P. Hall, Secret Teachings of All Ages
-Manly P. Hall, Secret Teachings of All Ages
The Enlightenment
Taboo literally “sees the light”
Taboo stares in awe at the sun, the metaphorical representation of divinity. The process of enlightenment has started. He is the bridge “to the other side”.
Let’s walk the bridge, to the other side
Just you and I (just you and I)
I will fly, I’ll fly the skies, for you and I (for you and I)
I will try, until I die, for you and I, for you and I, for for you and I,
For for you and I, for for you and I, for you and I
Just you and I (just you and I)
I will fly, I’ll fly the skies, for you and I (for you and I)
I will try, until I die, for you and I, for you and I, for for you and I,
For for you and I, for for you and I, for you and I
The Opening of the Gateways
After searching, Will.I.Am opens the portal which will allow Fergie and Apl.de.ap, the two souls, to finally unite. All that is left to do is simply to walk through.
The higher-self enters a pyramid-shaped gateway, representing the spiritual world and the triune nature of divinity
The lower-self enters a cube-shaped gateway, representing the material plane and planet Earth
In Conclusion
The video to the Black Eyed Peas’ Meet Me Halfway features many symbolic elements of esoteric spirituality. Many schools of thought have been mentioned here, such as the Kaballah, Buddhism, Alchemy and Freemasonry. This might be confusing for readers who are not acquainted with those concepts but you only need to keep one thing in mind: all of these schools teach different paths leading the same goal, which is spiritual enlightenment. It is the “Inner-Christ” of the Gnostic Christians, the “Great Work” of Alchemy and the “Lost Key” of Freemasonry.
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