Showing posts with label The Truth. Show all posts
Showing posts with label The Truth. Show all posts
The Georgia Guidestones is a mysterious monument on which are carved ten “commandments” for a “New Age of Reason”. The first commandment? Maintaining the world population under 500 million people. Another sinister fact: the authors of what we now call the American Stonehedge are still a “mystery”… except for those in the know. We will look at the numerous features of this monument and their symbolism
The Georgia Guidestones is an enigmatic granite monument situated in Elbert County, Georgia. Also known as the American Stonehedge, the gigantic structure is almost 20 feet high and is made of six granite slabs, weighing in total 240,000 pounds. The most astonishing detail of the monument is however not its size but the message engraved into it: Ten rules for an “Age of Reason”. These guides touch upon subjects that are associated with the “New World Order”, including massive depopulation, a single world government, the introduction of a new type of spirituality, etc. The authors of those rules have requested to remain totally anonymous and, until now, their anonymity has been duly preserved. However, this mysterious group left a text explaining the reasoning behind the rules, a text that was not discussed online before. With this new information, the purpose behind the Guidestones become very clear, leaving little room for hypotheses. The Guidestones describe the ideal world, as envisioned by occult Secret Societies.
The Symbolism of "Metropolis" and it's depiction and influence in todays' pop-culture.
0 comments Posted by in.SIGHT at 10:55Fritz Lang’s 1927 movie “Metropolis” is one of those timeless classics that withstand the test of time. Rather than becoming forgotten and obsolete, “Metropolis” is increasingly relevant as many of its predictions are becoming reality. We will look at the underlying occult message of the film and the usage of its imagery in the acts of pop stars such as Lady Gaga, Madonna, Beyonce, Kylie Minogue and others.
Source: Daily Mail
You want flies with that? McDonald’s Happy Meal shows no sign of decomposing after SIX MONTHS
Looking almost as fresh as the day it was bought, this McDonald’s Happy Meal is in fact a staggering six months old.Photographed every day for the past half a year by Manhattan artist Sally Davies the kids meal of fries and burger is without a hint of mould or decay.
In a work entitled The Happy Meal Project, Mrs Davies, 54, has charted the seemingly indestructible fast food meals progress as it refuses to yield to the forces of nature.
Fresh: The Happy Meal on the day it was bought by artist Sally Davies in New York
Tasty: Looking a little dry and with an ‘acrylic sheen’, but the burger has no signs of mould – not even on the bun
Sitting on a shelf in her apartment, Sally has watched the Happy Meal with increasing shock and even her dogs have resisted the urge to try and steal a free tasty snack.
‘I bought the meal on April 10 of this year and brought it home with the express intention of leaving it out to see how it fared,’ she said.
‘I chose McDonald’s because it was nearest to my house, but the project could have been about any other of the myriad of fast food joints in New York.
‘The first thing that struck me on day two of the experiment was that it no longer emitted any smell.
‘And then the second point of note was that on the second day, my dogs stopped circling the shelf it was sitting on trying to see what was up there.’
Fast food: Five months into the experiment, and although the burger patty has shrunk a bit it doesn’t look that different to the original
Worrying: More than three months in and the usual effects of time appear to have had no impact
Expecting the food to begin moulding after a few days, Mrs Davies’ surprise turned to shock as the fries and burger still had not shown any signs of decomposition after two weeks.
‘It was then that I realised that something strange might be going on with this food that I had bought,’ she explained.
‘The fries shrivelled slightly as did the burger patty, but the overall appearance of the food did not change as the weeks turned to months.
‘And now, at six months old, the food is plastic to the touch and has an acrylic sheen to it.
‘The only change that I can see is that it has become hard as a rock.’
Tucking in: Mrs Davies bought the Happy Meal and put it on a shelf in her home. She said even her dogs are no longer interested in eating it
Even though she is a vegan, Mrs Davies’ experiment has brought her amusement rather than fear.
‘I don’t really see this experiment as scary, I see it almost as an amusement,’ she said.
‘Although, I would be frightened at seeing this if I was a meat eater. Why hasn’t even the bun become speckled with mould? It is odd.’
When asked if their food was not biodegradable, McDonald’s spokeswoman Danya Proud said: ‘This is nothing more than an outlandish claim and is completely false.’
It comes after Denver grandmother Joann Bruso left a Happy Meal to decay for a year until March to highlight the nutritional dangers of fast food.
Morgan Spurlock also made the film Super Size Me in 2004 charting the changes to his body eating just fast food for 28 days had.
By Outspoken Poet
Kanye West’s “Power” is a short, almost stationary video that manages to tell a profound story in symbolic language. By decoding the occult meaning of the symbols present in this moving tableau, the viewer discovers who really holds the “power” in the world and understands the story of Kanye West’s initiation. We will look at the meaning of those symbols as they appear in the video.
Rapper and producer Kanye West has always found a way to stand out from the crowd. His video Power is no exception. It differs from the MTV norm in many regards, whether you look at the content or the form. The duration of the video, the filming style and the subject matter are quite distinct from today’s typical rap videos as it is short (1:43), filmed in a single shot (compared to the one-shot-per-second standard of music videos) and is very rich in archetypal symbolism.
Director Marco Brambilla sought to depict the concept of power in the form of a “video tableau”, a moving painting that slowly reveals itself to the viewer with a continuous camera movement. The director seem to have perfected this technique in his previous creation, Civilization, a video mural created for the new Standard Hotel in New-York city. The symbolism present there is simply overwhelming. Here it is:
For Power, Brambilla went for a neo-classic aesthetic, but still created a piece full of symbolic and cultural references. As it was the case for paintings of the neo-classic era, each object, each symbol and each detail in the video conveys an important meaning, a meaning that is needed to understand the entire story. As we will see later, many symbols in the video have a deep occult meaning and many of them point to Freemasonry and Mystery schools. By doing so, the director clearly states what type of power is being presented in the video. We will therefore look at the meaning of the symbols displayed in the video as they appear in the shot. If you haven’t seen it, here it is:
Symbols Of The Video
The video starts off with a close-up of Kanye West with glow-in-the-dark eyes, as if he was “illuminated” from within or to hint at a demonic element. He stands between an infinite row of Ionic columns, which represent “wisdom” in Masonic symbolism.
As regular readers of this series already know, the occult meaning of the twin pillars is ancient, profound and presented in the symbolism of almost all mystery schools of History. There are many layers of interpretation attributed to the two columns, but one constant is always present: The pillars represent the entrance – the gateway – to the world of the initiate. Behind the columns can be found the key to the Mysteries and, consequently, the source of true power. This concept has been used for in many cultures and schools of thought.
- The two columns called the “Pillars of Hercules” in Ancient Greece stood at the gateway to the sphere of the enlightened
“The city of the philosophic elect rises from the highest mountain peak of the earth, and here the gods of the wise dwell together in everlasting felicity. In the foreground are the symbolic pillars of Hercules which appear on the title page of Bacon’s Novum Organum, and between them runs the path which leads upward from the uncertainties of earth to that perfect order which is established in the sphere of the enlightened. “
- Manly P. Hall
- Pillars of Hercules in Francis Bacon’s “New Atlantis” as a gateway to the New World
- Two pillars leading to Jacob’s Ladder in this Masonic tracing board
- Masonic initiate standing between the twin pillars as the third pillar, in the same fashion as Kanye West in the video.
In Power, Kanye is standing at the mouth of the gateway to the “sphere of the enlightened,” right at the border of the corrupt and decadent material world. So, right from the start of the video, the director reveals his take on the true nature of power in this world: It is not your democratically elected officials, but those who consider themselves to be behind those pillars. One of the most significant lines of the song is
“In this white man’s world, we the ones chosen”
Does Kanye’s “white man’s world” refer to the hidden rulers, the Illuminati, who are hidden behind those pillars or to the ongoing oppression and prejudice against colored people?
Horus
- Horus pendant on Kanye’s chain
The next thing that catches the viewer’s eye is most probably that gigantic chain with Horus’ head as a pendant. Horus is an ancient Egyptian deity that has an extreme importance in occult mysteries. Considered to be the Sky god, he is more often represented with the symbol of a single eye. The Eye of Horus is an ancient Egyptian symbol of protection and royal power from deities, in this case from Horus or Ra.
“Horus, the son of Osiris and Isis, was called “Horus who rules with two eyes.” His right eye was white representing the sun while his left eye was black representing the moon. According to Egyptian legend Horus lost his left eye during a fight with his murderous uncle, Seth, to revenged his father’s death. Seth tore out his nephew’s eye but lost the fight because the assembly of the gods declared Horus the victor. The eye was reassembled by the magic of Thoth. Then Horus gave the eye to Osiris who experienced rebirth in the underworld.”
- Jordan Michael, Encyclopedia of Gods
- Horus, god of the sky
- The Eye of Horus as depicted by the Golden Dawn Mystery School
The symbolism of Horus is especially of great importance in Freemasonry, as the path of an initiate through the Masonic degrees is described as the process by which the Eye of Horus is opened.So Kanye stands at the gateway between the corrupt world of the profane and the exclusive world of the illuminated, wearing a Horus pendant, an unmistakable symbol. One might say: “Well maybe Kanye just likes Egyptian things.” Maybe so, but in the context of this video, where all details are important and extremely meaningful, Horus becomes another piece of this symbolic puzzle.
Horned Girls
The entrance of the gateway of pillars is guarded by two horned albino girls holding a staff. Their features are very reminiscent of depictions of Isis and Hathor, goddesses of ancient Egypt. Another allusion to Egyptian magic.
- Kanye standing between two horned female figures
- Isis and Hathor crowning Queen Nefertari. Both goddesses were depicted with bovine horns on their heads.
Isis was the mother of Horus (discussed above) and was the goddess of motherhood, nature and magic. Hathor was also considered as a maternal deity while also being the goddess of music, dance and fertility. Both Isis and Hathor were known to welcome and protect the dead during their journey to the afterlife, a concept that is particularly interesting in the context of the video.
- Hathor holding a sceptre with Pharaoh Ramses II
“The goddess (Hathor) [...] manifests two aspects of her divine power: first of all, she participates in the afterlife rite of passage, by means of which the deceased attains eternal life, and, second, she demonstrates her special connection to the Egyptian king. Hathor is rightly called a royal goddess, and in this role she is linked in various ways to the life of the pharaoh. Often the pharaoh would call himself the oldest son of Hathor.”
- Archive for Research in Archetypal Symbolism
Kanye, perhaps symbolizing the Pharaoh, is standing at the gateway to eternal wisdom, about to be executed/assassinated/sacrificed under the watchful eyes of Hathor, the “royal goddess.” Are the goddesses welcoming Kanye “behind the veil,” protecting him in this rite of passage to immortality? In occult circles, new candidates must symbolically die and be reborn to complete their initiation process. Is Kanye being killed an allegory for his initiation?
Sword of Damocles
- Sword hanging above Kanye West’s head
While doing some preliminary research on this video, I came across an article on MTV.com titled Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet. Here’s what it says about the sword hanging above his head:
“Dragonlance: An image of a sword descending into a crown hovers over Kanye’s head, bringing to mind Volume Two of Douglas Niles’ series “The Crown and the Sword: The Rise of Solamnia,” in which Sir Jaymes Markham commands the orders of the Rose, Sword and Crown.”
- Kanye West’s ‘Power’ Video: A Cultural Cheat Sheet, MTV.com
Really? The director of this neo-classical themed video, was inspired by an obscure fantasy novel released in, like, 2006? Seriously? Good job, MTV, in keeping our youth clueless. The descending sword is more probably a reference to the Sword of Damocles, a pretty widely known legend, though one might argue it to be any other legendary or ordinary sword.
- Wenceslas Hollar’s depiction of the Sword of Damocles
“The Damocles of the anecdote was an obsequious courtier in the court of Dionysius II of Syracuse, a fourth century BC tyrant of Syracuse. Damocles exclaimed that, as a great man of power and authority, Dionysius was truly fortunate. Dionysius offered to switch places with him for a day, so he could taste first hand that fortune. In the evening a banquet was held where Damocles very much enjoyed being waited upon like a king. Only at the end of the meal did he look up and notice a sharpened sword hanging directly above his head by a single horse-hair. Immediately, he lost all taste for the fine foods and beautiful girls and asked leave of the tyrant, saying he no longer wanted to be so fortunate.
Dionysius had successfully conveyed a sense of the constant fear in which the great man lives. Cicero uses this story as the last in a series of contrasting examples for reaching the conclusion he had been moving towards in this fifth Disputation, in which the theme is that virtue is sufficient for living a happy life. Cicero asks “Does not Dionysius seem to have made it sufficiently clear that there can be nothing happy for the person over whom some fear always looms?”
- Source
The tale of the Sword epitomizes the constant danger faced by those in positions of power. Kanye stands there, in a state of impending doom, knowing he can be executed at any time. Right after we see the sword of Damocles, a figure appears holding a dagger and attempting to stab him. The assassination will not happen by dagger, however, as two other figures leap out of nowhere holding swords to accomplish the “Killing of the King.”
Killing of The King - The Initiation
Ritual initiation represented in a display of geometry and symmetry
Ritual initiation represented in a display of geometry and symmetryAt the ending of the video, the decadent women and the dagger-holding assassins all disappear as two swords are about to hit him. Are we sacrificing the King?
The concept of regicide is reflected in the single’s cover art. It depicts Kanye’s severed, crowned head with a sword firmly jammed into it. Apparently Kanye was king and he got killed. Is this a symbol for a Masonic ritual? Note the stone on which Kanye’s head is placed. Is it the “perfect ashlar” of the Masons that represents the state of a perfected initiate?
- Covert art of Power portraying the killing of Kanye West as a king.
- A perfect ashlar in a Masonic lodge. In Masonic symbolism, the candidates start their journeys as allegorical “rough ashlars” and, through knowledge and wisdom, smooth out their edges in order to become a perfect ashlar.
Some occult researchers have stated that the “Killing of the King” is the name of a Masonic rite of passage to obtain the 33rd degree (see “King Kill 33″ by James Shelby Downard & Michael A. Hoffman II). Semi-interesting sidenote: King Kill 33 is also the name of a Marilyn Mason song, with rather interesting lyrics. Another sidenote: Researchers have reported that Killing of the King rites often happens in public, as more witnesses give more power to the ritual, hence … JFK. A completely crazy theory?… DYR (Do your research).
Back to Kanye and his standing … the two swords flying towards him never actually touch him but instead form a triangular shape above his head, possibly hinting to a “symbolic” killing and not an actual one. Notice the position of the crown above Kanye’s head. The combination of those elements form an interesting image.
Masonic Square and Compass-
- In Conclusion
Masonic Square and CompassTo sum up the the video, Kanye stands at the border between Masonic knowledge and the decadence of the mundane life, represented by lustful and gluttonous women, lounging around eating grapes. Kanye says “goodbye cruel world / I see you in the morning“, as he has been “chosen” to take part in an initiation process that is often metaphorically described as a “long night,” followed by a glorious awakening as a new being. In order to accomplish this, Kanye needs to kill his old self and be ritualistically reborn. Once this is done, true power is within his grasp.This “moving painting” is definitely a multi-layered artwork, with many levels of interpretation: the first level is a commentary on power by using timeless symbols taken from ancient art; the second level describes a Masonic initiation with a ritual murder and an imminent rebirth.
This video lasts a mere minute and forty-three seconds but it manages to give the viewers plenty to ponder on and many symbols to decode. Looking at its meaning from a pop culture point of view, it is interesting to note that this short-film, intended to be viewed by the general public (especially young people), describes the concept of power with overt Masonic symbolism and occult references. This causes the uninformed viewers to unconsciously associate those symbols with the concept of Power, while “those in the know” get the “insider’s wink” sent by this video. Power ultimately becomes another piece in the on-going process called the “Revelation of the Method,” where the true source of power gradually and subliminally reveals itself to the world and occult rituals take place right in front of the public’s eyes, accepted by pre-implanted psychological facilitators.
I'm not saying that this is what it is represented to be here.Kanye might just have read a few books on masonry and then decided to make it fashionable ;)
“The clock’s tickin’ / I just count the hours”
Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.
So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.
Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.
The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state.
We will attempt to decode the symbolism of the video and how it relates in today’s context.
Here’s the video:
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:“I know that we are young.
And I know you may love me.
But I just can’t be with you like this anymore,
Alejandro.”
The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.
- Is there a syringe in the Sacred Heart?
But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.
In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.
Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.
“She hides true loveEn su bolsillo.
She’s got a halo ’round her finger,
Around you.”
The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?
The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.
- Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
Inverted Cross
Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.
In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.
“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”
- Manly P. Hall, Secret Teachings Of All Ages
- Inverted cross and inverted pentagram as satanic symbols
The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.
Becoming a God
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.
In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.
- A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart
Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.
At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.
Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.
The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.
Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop.During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.
The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of the men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?
Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign and revealing the true nature of her power.
- Again, One-Eye hinting to the nature of the oppressive force
In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything Democracy supposedly stands for.
Mind Controlled Slaves?
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.
In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?
In Conclusion
As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.
Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale?
Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used to make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about. Thank God for the internet.
(c) Outspoken Poet
Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music
0 comments Posted by in.SIGHT at 05:01 Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.
I’ve always considered Christina Aguilera to be a notch above most pop singers due to the fact that she could actually sing. However, in order to continue with her success, it was only a matter of time before she ended up in the same place as the other pop stars in the market today. Everything about her new album is heavily tainted with the Illuminati agenda, and the first single Not Myself Tonight acts as an initiation piece. We will see that this plagiarism is, in fact, Christina only following the trend forced on pop stars.
Warning: Parts of this article might be disturbing for some.
From Christina to Xtina
Christina was first discovered by Disney, a company that has specialized in recruiting kids who then progressively become sex bombs as the years go by (Miley Cyrus is next). Christina was part of a particularly prolific edition of the Mickey Mouse Club.
Christina used her great talent to make her way into the pop scene with the 1999 album Christina Aguilera, with a clean “innocent teen” look. Everything changed in 2002-2003 with the release of the album Stripped. In a very symbolic performance during the 2003 MTV Video Music Awards, Christina is “consecrated” by the Kabbalistic Grand Priestess Madonna. This highly publicized event deserves a second look.
2003 VMA Perfomance
Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.
She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom, as she walks down the 13 steps of initiation. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:
Everybody comes to Hollywood
They wanna make it in the neighborhood
They like the smell of it in Hollywood
How could it hurt you when it looks so good?
Shine your light now
This time it’s got to be good
You get it right now
Cause you’re in Hollywood
The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.
Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.
- Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.
In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.
New Christina
- Black magic photo shoot complete with ritualistic pentagram and discarded dolls
- Dehumanization and alter persona symbolized by the mannequin
Her latest effort completely embraces today’s Illuminati agenda by exploiting the theme of transhumanism. The album title “Bionic” and the cover art is truly about the merger of man and robot. Christina’s head is portrayed as a programmable mechanism, a concept relating to mind control.
- Christina as a programmable robot (reference to mind control) and the now inevitable focus on one eye
More One Eye Symbolism
As seen in many other articles, almost all pop artists taking on Illuminati themes in their art almost always flash the “one eye sign” in their videos or photo shoots. Christina is not an exception.
Concept of Not Myself Tonight
The Videohttp://www.youtube.com/watch?v=TjoqHasrjIQ
Not Myself Tonight has been accused of copying Lady Gaga’s Bad Romance. Although the videos were produced by two different directors (Francis Lawrence for Gaga and Hype Williams for Christina), they both exploit similar themes, which are also common in many other pop music videos. Although it is easy to say “the bitch copied Gaga!”, this statement does not take into consideration the bigger picture of the music industry. The same themes are expected and required to be prevalent in today’s hits. The industry defines its own trends and in order to be successful, artists must follow these trends and communicate the same messages. Not Myself Tonight is simply a continuation through another artist, and therefore exploits trademark themes such as mind control, transhumanism, occult initiation and so forth.
The subject of the song is Christina being “not herself tonight” which is, at face value, her wanting to go out and go crazy, “kissing the boys and the girls.” However, the imagery and symbolism of the video adds another level of interpretation to the song that refers to mind control, occult initiation and alter personalities. The theme of being “out of character” and not controlling one’s actions is often portrayed in recent videos and is associated, through symbolism, to Monarch programming or supernatural “possession.” This is often symbolically represented by the classic “devil horns” as seen on the promo image of her single.
As said earlier, she is just following the trend set by the industry.
Monarch programming is a mind-control method based on the creation of an alternate persona through the usage of torture and ritual abuse. Some authors on the subject, such as Ron Patton, have mentioned that Monarch programming utilizes ancient occult techniques reminiscent of spirit possession. The lyrics of the song reflect the creation of a new persona:
“I’m out of character, I’m in rare form
And if you really knew me, you’d know its not the norm
Cos I’m doing things that I normally won’t do
The old me is gone , I feel brand new
And if you don’t like it, fuck you”
As we will see later, the symbolism of the video is based on initiation and on the creation of an alter personality, which is expressed lyrically The old me is gone, I feel brand new. The theme of being a crazier/wilder/sexier self is often portrayed in recent videos and is almost always coupled with scenes of restraint, dehumanization and/or torture. This is an obvious case of cognitive dissonance, where the portrayal of torture is a part of one’s “liberation.” In Not Myself Tonight, Christina is seen hog-tied with her eyes forced opened, which is reminiscent of mind control victims being forced to watch videos to reinforce their programming.
This practice is depicted in the mind-control themed Clockwork Orange by Stanley Kubrick.
- Screen shot from Clockwork Orange where Alex is forced to watch ultra-violent scenes as part of his reprogramming.
Sex Kitten Programming
The first part of the video is heavily tainted with references to mind control and, more precisely, Sex Kitten programming. This trend is becoming increasingly common in the music and fashion industry.BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.In mind control, Beta programming, also known as Sex Kitten programming creates in the dissociative victim an alter-personality that is a programmed to be sex slave.
-Ron Patton, Project Monarch
“The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc.”Some references to sex kitten programming are peppered throughout the video.
- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave
The creation of alter personalities is represented in the video with Christina being surrounded by look-a-likes. She plays the role of the mind-control handler herself.
Ritual Initiation
The second part of the video essentially describes Xtina’s “initiation” through ritual sex. Some symbolic scenes tell this story.Halfway through the song, Christina is dressed in black with masculine features and standing between two pseudo-masonic pillars.
This scene is similar to the VMA performance referenced above, where Madonna played the master of ceremonies. Christina plays the same role in this scene. She is standing on top of stairs, near a mysterious gateway, symbolizing her high rank within the “inner-hierarchy”. Her monocle covers one eye which refers to the Illuminati power structure. The master of ceremonies kicks off the ritual initiation of Xtina, the Sex Kitten.
In the following scene, Xtina is shown entering a doorway, symbolizing the “passing through the gates” of her initiation.
Xtina is then shown putting fire to her clothes, indicating that she is destroying her old self and embracing the new Xtina alter persona.
The initiation is then sealed and consummated by nothing less than an orgy inside a church.
In Conclusion
Although Christina Aguilera’s new work was accused of plagiarism by some pop culture observers, they fail to realize that she is simply following the agenda forced on pop stars. The standardization of the music industry has resulted in different artists exploiting the same symbolism, themes and aesthetics. Superficial differences define each artist, but the content and message of their music stay the same.This repetition is an important clue to identify the existence of a alternative agenda in the industry.The complete transformation of Christina Aguilera for the Bionic album, and her embrace of ALL of the themes discussed in previous articles (including the “one-eye thing”) should send you a clear message. There is an agenda in the music industry and one must fit the mold in order to get promoted as a star. This does not guarantee worldwide success, but it is the only way to get the industry approval needed to obtain it.
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