Outspoken Poet's Blog

Twenty years ago this fall, as the Orioles triumphed in the World Series, baby boomers flocked to The Big Chill and radios played Michael Jackson's Thriller, the superpowers drifted obliviously to the brink of nuclear war.
That is the disturbing conclusion of a number of historians who have studied the bellicose rhetoric and mutual incomprehension of the United States and the Soviet Union, which then had more than 20,000 nuclear warheads between them. With the possible exception of the Cuban Missile Crisis in 1962, they say, the autumn of 1983 might have been the most dangerous moment in the history of the Cold War.
Ailing Soviet leader Yuri V. Andropov, urged on by Soviet hard-liners and acutely aware that his country was losing the military technology race, had become increasingly worried that the Americans might be planning a nuclear first strike. President Ronald Reagan's rhetoric about the "evil empire" and U.S. military exercises poured fuel on Soviet war paranoia.
A series of mishaps and misunderstandings made conceivable a catastrophe that would have dwarfed today's worst fears of terrorists wielding weapons of mass destruction. That it did not happen is in part thanks to a KGB turncoat who alerted the West to Soviet fears and a Russian duty officer who did not panic when an archaic satellite reported that U.S. missiles were on the way.
"In retrospect, it was a pretty terrifying time," says Benjamin B. Fischer, a 30-year CIA veteran who now works on the agency's historical staff. "We're lucky it ended the way it did."
Fischer, who has published a seminal paper on the period through the CIA's Center for the Study of Intelligence, says the danger resulted when wildly exaggerated fears of a U.S. surprise attack took hold in "the geriatric ward" of the aging Soviet leadership. But a contributing factor was the reluctance of Reagan and his advisers to believe that Russian fears were genuine, he says.
"We don't do Pearl Harbors. So we couldn't believe they really thought we were capable of a first strike," Fischer says.
John Prados, a Cold War historian and senior analyst at the National Security Archive in Washington, calls the fall of 1983 "a moment of high danger, in some respects more dangerous than the Cuban Missile Crisis. Both sides were more heavily armed. Both sides were more hostile."
Yet, by comparison with the Cuban crisis, what historians call the "Soviet war scare" of 1983 remains little known.
"The Cuban Missile Crisis evolved in a very public manner," Prados says. "In 1983, the whole thing happened in secret."
Behind the tensions of 1983 was a program devised in 1981 by then-KGB chief Andropov called Operation RYAN, not a code name but a stark Russian acronym for "nuclear missile attack." Secret orders were issued to KGB officers around the world to look for signs, however subtle, that the United States might be preparing a pre-emptive strike.
KGB officer Oleg A. Gordievsky, who as a British agent later played a key role in the drama, watched RYAN unfold from KGB headquarters in Moscow and then as an intelligence officer posted to London. He saw a gulf between the views of worldly Soviet intelligence officers in the field and the paranoia of Kremlin leaders.
"I never met anyone in the KGB who believed in the possibility of a first nuclear strike by the U.S.," Gordievsky says in an interview from his home in England. "Yet they all reported on the signs of such an attack because they were ordered to do it. They were afraid to say what they really thought."
By 1983, Soviet fears were growing, heightened by the imaginary evidence of a planned surprise attack reported by the Kremlin's cowed spies and by tough talk from Reagan.
In March, Reagan announced the Strategic Defense Initiative, a futuristic missile-defense scheme many American scientists thought technically implausible. Soviet military leaders took the plan far more seriously, worrying that it might eventually make the Soviet nuclear arsenal useless.
That month, Reagan famously stepped up his anti-Soviet rhetoric. Speaking to the National Association of Evangelicals in Orlando, he urged the Christian group in considering nuclear freeze proposals not to "label both sides equally at fault, to ignore the facts of history and the aggressive impulses of an evil empire, to simply call the arms race a giant misunderstanding and thereby remove yourself from the struggle between right and wrong, good and evil."
Meanwhile, NATO plans to deploy Pershing II nuclear missiles in West Germany were seen by the Soviet Union as shortening to a few minutes the warning they might have of a strike. From Moscow, the Pershing deployment created fears like those that shook Washington when U.S. spy planes discovered Soviet missiles in Cuba.
"The danger was in the Soviet leadership thinking, 'the Americans may attack, so we better attack first,' " says Oleg D. Kalugin, a former KGB chief of foreign counterintelligence, who lives outside Washington. While the KGB and military had institutional interests in exaggerating the risk of attack, Andropov's distrust of American leaders was profound, says Kalugin, who knew him well.
But American officials tended to interpret shrill protests from Andropov and his colleagues as empty propaganda. "The Reagan administration was committed to believing its own rhetoric - that SDI didn't threaten the Soviet Union and that the Pershings were not a first-strike weapon," Prados says.
Then came a series of potential sparks. On Sept. 1, 1983, a Soviet fighter shot down a South Korean airliner that had strayed into Soviet airspace, killing the 269 people aboard and prompting angry accusations from both sides.
Next, on Sept. 26, a Soviet satellite misinterpreted sunlight glinting off clouds above a U.S. intercontinental ballistic missile site in Montana as the launch of five ICBMs.
Lt. Col. Stanislav Petrov, the duty officer overseeing the warning system, kept his cool, reasoning that a U.S. first strike would involve hundreds of missiles, not just five. Instead of sounding the alarm, Petrov checked ground radar and other data, and decided that the satellite's alert was false.
Petrov's health was broken by the stress of the incident and its aftermath, and he soon retired from the military. When his actions that day were revealed by a Russian magazine in 1998, reporters found him infirm and surviving on a tiny pension outside Moscow.
Petrov's unsung heroism did not end the danger. A major U.S.-NATO military exercise called Able Archer was planned for November 1983. With emotions still running high on both sides, some Soviet officials feared that the exercise might be a cover for the long-feared nuclear attack.
But by then, Gordievsky had begun to feed to skeptical contacts in British intelligence documents from Operation RYAN showing that Soviet leaders' war fears were genuine.
"There was incredulity at first. The British couldn't believe the Soviet leaders could think like this," recalls Gordievsky. "The Americans were even more disbelieving."
Nonetheless, in part because Gordievsky's warnings were being passed on by British intelligence, the United States scaled back Able Archer, which initially foresaw a role-playing part for Reagan. Tensions gradually eased, though the CIA's Fischer has found the war scare had a second phase in East Germany as late as 1985-1986. By then, Mikhail S. Gorbachev had come to power, quashed the first-strike fears and moved boldly to negotiate an end to the Cold War.
Gordievsky, 64, escaped Russia in 1985 but was sentenced to death in absentia for treason, a penalty never canceled by post-Soviet Russian governments. He says he considers Reagan's defense buildup "brilliant" because it persuaded the Soviet leadership that they could no longer compete and sped the end of the Cold War.
But the strategy was also extremely risky, he says.
"If the Soviet Union had overreacted, it could have gone very badly," he says, adding in a mild understatement: "If war had come, Soviet missiles would have destroyed Britain entirely, at least half of Germany and France and America would have lost maybe 30 percent of its cities and infrastructure."

(c) Outspoken Poet's Blog

Foreword:
I have been following the Black Eyed Peas since their first album "Behind The Front" (1998) when they were an underground hip-hop/funk group and I grew very fond of them. This changed slightly when they recruited Fergie and adopted a more commercial and pop-ish sound. Despite that they still manage to pull of 3-4 deep tracks on every album and still make it commercial  which is virtually impossible in the mainstream today. "Meet Me Halfway" really struck me when I saw the video, which changed my mind about the meaning of the track - one that is much deeper than what the lyrics might initially suggest.

Fergie, the Human Soul

Apl.de.ap, the Divine Soul

Apl.de.ap uses a Torah Pointer to consult his map. In this esoteric context it is used for Kabbalistic studies. Does the Kabbalah provide the road map to enlightenment?

Torah Pointer

Will.I.Am, the Vehicle

Notice on the elephant the symbol of a double-headed eagle, which is very similar to the symbol of the Scottish Rite of Freemasonry.

Is Freemasonry the “gateway” to Kabbalistic enlightenment?

The Pine Cone Staff

Pine cone staff

Pine Cone Staff of Osiris surrounded by the two serpents of the Kundalini. The staff represents the spine and the pine cone represents the pineal gland. 

Giant pine cone at the Vatican

The Enlightenment

Taboo literally “sees the light”

The Opening of the Gateways

The higher-self enters a pyramid-shaped gateway, representing the spiritual world and the triune nature of divinity

The lower-self enters a cube-shaped gateway, representing the material plane and planet Earth

In Conclusion

(c) Outspoken Poet's Blog

The Hidden Meaning of Lady Gaga’s “Telephone”
Lady Gaga’s 9-minute video featuring Beyoncé is steeped in weirdness and shock value. Behind the strange aesthetic, however, lies a deeper meaning, another level of interpretation. The video refers to mind control. We’ll look at the occult meaning of the video “Telephone”.

The Hidden Meaning of the Song

When I first heard Telephone on the radio, I thought the song was about Lady Gaga receiving phone calls from an annoying dude while she’s out in a club. I could already picture a video of Gaga on a dance floor not answering her cellphone. I’ve imagined this video because I was interpreting the song at its face value and going by its literal meaning, like most people do. Akerlund’s video has however infused a second, deeper meaning to the song, giving it an entirely new dimension. In an interview with E! Online, Gaga herself explained this fact:

“There was this really amazing quality in ‘Paparazzi,’ where it kind of had this pure pop music quality but at the same time it was a commentary on fame culture. In its own way, even at certain points working with Jonas Åkerlund, the director of both videos really achieved this high art quality in the way that it was shot. I wanted to do the same thing with this video—take a decidedly pop song, which on the surface has a quite shallow meaning, and turn it into something deeper.”
- Source

What is never stated, however, is that this “deeper meaning” found in Gaga’s video relates to mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks. In Paparazzi, Gaga plays the role of a mind-controlled slave who was “programmed” to poison and kill her boyfriend. Telephone is a continuation of this story, where Gaga goes to jail for her crime.
In the video, the “telephone” is a metaphor for Gaga’s brain and the fact that she is not answering that phone (her brain) means that she has “dissociated” from reality. It is induced by traumatizing events, such as electroshock therapy or torture, to force the victim to dissociate from reality. This enables the handlers to create in the victim an alter personality that can be programmed to perform various tasks, such as carrying out an assassination.

Gaga’s brain as a non-answering telephone is represented in two separate occasions during the video:



Gaga’s head is the telephone. She is not answering that phone, which is symbolic of her dissociative mind state.



The telephone receiver is made out of hair and covers her left eye, representing Illuminati mind control
So in the context of the video, the telephone is Gaga’s mind and the dance club is representative of her dissociative state, the “magical place” mind-controlled slaves are trained to escape to during traumatic events.

“Hello, hello, baby
You called, I can’t hear a thing.
I have got no service
in the club, you say, say
Wha-Wha-What did you say, huh?
You’re breaking up on me
Sorry, I cannot hear you,
I’m kinda busy.
K-kinda busy
K-kinda busy
Sorry, I cannot hear you, I’m kinda busy.”

By “kinda busy”, Gaga means she has dissociated from reality. Real life is calling her brain but she “has no service”, she’s not there. The chorus pretty much epitomizes this concept.

“Stop callin’, stop callin’,
I don’t wanna think anymore!
I left my head and my heart on the dance floor.
Stop callin’, stop callin,
I don’t wanna talk anymore!
I left my head and my heart on the dance floor.”

Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to Monarch programming.


Video Analysis
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The video is a Quentin Tarentino-esque short film which is heavily inspired by Thelma and Louise and peppered with tons of product placements and transvestites. That surely wasn’t the video I was picturing when I first heard that song. From the comments I’ve read, the video left many fans confused about its meaning. This is quite understandable, knowing that most viewers have no idea what the song is really about. When the hidden “mind control” meaning is brought to light, the symbolism of the video becomes evident and the storyline becomes more coherent. I will now attempt to go through the many symbolic scenes of the video and explain their occult meaning. Here’s the video:

The video starts with Gaga entering the “Prison for Bitches”. So, yeah, I know, she addressed that hermaphrodite rumor and many think it was the most hilarious thing ever. I’ve never really cared about those gossipy rumors so I won’t elaborate on them.In the prison yard, Gaga walks around chained up and wearing sunglasses made of lit cigarettes.

Gaga then sits down and “gets busy” with a weird-looking inmate, but is interrupted by a phone call. She seems to be enjoying a special status in the jail … maybe due to the fact that she is a slave only obeying orders … and that she is needed again.
Gaga is then bailed out by Beyoncé and leaves prison. Inside the car, Gaga and Beyoncé engage into a highly dissociative conversation. It basically sounds like dialogue between two mind-controlled slaves. The phrase “Trust is like a mirror. You can fix it if it’s broke but you can still see the crack in the motherfucker’s reflection” can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.
The dynamic duo then enters an all-American, good ol’-fashioned diner. Beyoncé meets with probably the biggest douche in the universe (played by Tyrese Gibson) and proceeds to poison him. At this point, Gaga comes out of the kitchen with poisoned honey and serves it to the customers.

The mass murder begins … people eat up Gaga’s poisoned honey and die. Does this represent the Illuminati elite poisoning the masses with toxic media?


Lady Gaga turns the a-ok hand in front of her eye (representing the Illuminati’s “All-Seeing Eye”) into a gun pointed towards the viewer … the masses eating all of the poison served to them.


The entire clientele of the all-American diner gets poisoned and dies. You might have noticed the emphasis on “bees” and “honey” during the entire video. Gaga calls Beyoncé “Honey Bee”. She also serves poisoned honey to the diner’s customers. What does this signify? Beyoncé and Gaga’s poisonous honey is actually their music and videos, which are served to the general public through mass media. You can figure out the rest.


While the customers are agonizing and dying, Beyoncé puts on the Mickey Mouse sunglasses, the same glasses worn by Gaga in Paparazzi while killing her boyfriend.


Beyoncé wearing Mickey Mouse sunglasses


Gaga with Mickey Mouse sunglasses in Paparazzi


In both videos, the singers wore the glasses during the killings, hinting to the fact that they are programmed to execute the poisonings. As stated in previous articles, Mickey Mouse ears or designs often occultly refer to mind control , probably because Disney films were known to be used on MK slaves during their programming.

Gaga and Beyoncé then start dancing in “patriotic” outfits surrounded by the lifeless bodies of dead Americans … pretty disturbing. In her interview with E! Online about Telephone, Gaga stated she wanted to take

“the idea that America is full of young people that are inundated with information and technology and turn it into something that was more of a commentary on the kind of country that we are.”
- Source

Is that what she meant?
To sum up the situation in the diner, we have Lady Gaga and Beyoncé dancing around dead people and singing about the fact they are dissociative, mind-controlled drones.

“Can call all you want,
but there’s no one home,
and you’re not gonna reach my telephone!”

Gaga and Beyoncé finally flee the crime scene. Gaga is then shown in front of the Pussy Wagon wearing a leopard-print suit.In the final scene, Gaga and Beyoncé prance around wearing dresses by Emilie Pirlot. Beyoncé’s black dress and the veils hint to the ritualistic nature of the murders



Illuminati Signs
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As stated in previous articles, the hiding of one eye and the “a-ok” sign (which seemingly means 666 in the music industry) are flashed by all Illuminati artists, apparently to show their allegiance. There are a truckload of them in this video.

One Eye Hidden

Gaga dressed in police tape, covering one eye. Knowing the trauma mind control victims must go through, her body is truly a crime scene.






A-Ok Handsign












In Conclusion

Telephone is yet another Lady Gaga product permeated with references to mind control and Illuminati symbolism. Gaga’s “commentary” on today’s youth is certainly not a positive one. The video basically says: America is ready to eat any poisonous crap the elite serves them, and that is accomplished through controlled puppets.

Open up your eyes,realise those lies!

(C) Outspoken Poet

(c) Outspoken Poet's Blog

(c) Outspoken Poet's Blog

(c) Outspoken Poet's Blog

I thought for a while what I wanted my 100th post to be and in the end I wanted it to be something that represents me and what I stand for so I wrote this.

So many times I'm, covering my eyes
Peeking through my fingers
Tryin' to hide my, frustration at the way that we treat
Turn on the TV, seein' the pain
Sayin' such a shame
Then tryin' to go on with my life
Of that, I too, am guilty
So we send a lil' money, tell 'em it's alright
To be able to sleep at night
You will pay that price
While some of these folks' lost their whole life
Now it wasn't on the nightly news no more
Suddenly it didn't matter to you no more
In the end almost nothing changed
What the hell, what was that for?
So don't ever tell me "life is fair".
Seems like we don't even care.